Chicanx utopias : pop culture and the politics of the possible /
Amid the rise of neoliberalism, globalization, and movements for civil rights and global justice in the post-World War II era, Chicanxs in film, music, television, and art weaponized culture to combat often oppressive economic and political conditions. They envisioned utopias that, even if never ful...
Main Authors: | , |
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Corporate Author: | |
Format: | Book |
Language: | English |
Published: |
Austin :
University of Texas Press,
[2022]
Austin, Texas : [2022] |
Series: | Historia USA
|
Subjects: |
Mexican Americans
> Social life and customs
> Political aspects
> United States
> History
> 20th century
|
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100 | 1 | |a Alvarez, Luis, |d 1972- |e author | |
100 | 1 | |a Alvarez, Luis, |e author |4 aut |4 http://id.loc.gov/vocabulary/relators/aut | |
245 | 1 | 0 | |a Chicanx utopias : |b pop culture and the politics of the possible / |c Luis Alvarez |
264 | 1 | |a Austin : |b University of Texas Press, |c [2022] | |
264 | 1 | |a Austin, Texas : |b University of Texas Press, |c [2022] | |
264 | 4 | |c ©2022 | |
300 | |a 1 online resource (238 pages) : |b 1 color photo, 4 black and white photos, 2 color and 2 black and white illustrations | ||
300 | |a 1 online resource (239 pages) | ||
336 | |a text |b txt |2 rdacontent | ||
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490 | 1 | |a Historia USA | |
504 | |a Includes bibliographical references and index | ||
505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t Introduction -- |t Chapter 1 Salt of the Earth -- |t Chapter 2 Brown-Eyed Soul -- |t Chapter 3 Chico and Kotter -- |t Chapter 4 No Human Being Is Illegal -- |t Chapter 5 Border Reggae -- |t Coda Ngātahi -- |t Acknowledgments -- |t Notes -- |t Bibliography -- |t Index |
506 | |a Restricted for use by site license. | ||
520 | |a Amid the rise of neoliberalism, globalization, and movements for civil rights and global justice in the post-World War II era, Chicanxs in film, music, television, and art weaponized culture to combat often oppressive economic and political conditions. They envisioned utopias that, even if never fully realized, reimagined the world and linked seemingly disparate people and places. In the latter half of the twentieth century, Chicanx popular culture forged a politics of the possible and gave rise to utopian dreams that sprang from everyday experiences. In Chicanx Utopias, Luis Alvarez offers a broad study of these utopian visions from the 1950s to the 2000s. Probing the film Salt of the Earth, brown-eyed soul music, sitcoms, poster art, and borderlands reggae music, he examines how Chicanx pop culture, capable of both liberation and exploitation, fostered interracial and transnational identities, engaged social movements, and produced varied utopian visions with divergent possibilities and limits. Grounded in the theoretical frameworks of Walter Benjamin, Stuart Hall, and the Zapatista movement, this book reveals how Chicanxs articulated pop cultural utopias to make sense of, challenge, and improve the worlds they inhabited | ||
520 | |a Amid the rise of neoliberalism, globalization, and movements for civil rights and global justice in the post–World War II era, Chicanxs in film, music, television, and art weaponized culture to combat often oppressive economic and political conditions. They envisioned utopias that, even if never fully realized, reimagined the world and linked seemingly disparate people and places. In the latter half of the twentieth century, Chicanx popular culture forged a politics of the possible and gave rise to utopian dreams that sprang from everyday experiences. In Chicanx Utopias, Luis Alvarez offers a broad study of these utopian visions from the 1950s to the 2000s. Probing the film Salt of the Earth, brown-eyed soul music, sitcoms, poster art, and borderlands reggae music, he examines how Chicanx pop culture, capable of both liberation and exploitation, fostered interracial and transnational identities, engaged social movements, and produced varied utopian visions with divergent possibilities and limits. Grounded in the theoretical frameworks of Walter Benjamin, Stuart Hall, and the Zapatista movement, this book reveals how Chicanxs articulated pop cultural utopias to make sense of, challenge, and improve the worlds they inhabited | ||
538 | |a Mode of access: Internet via World Wide Web | ||
546 | |a In English | ||
588 | |a Description based on print version record | ||
588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
650 | 0 | |a Chicano movement | |
650 | 0 | |a Mexican Americans and mass media |x Political aspects |z United States |x History |y 20th century | |
650 | 0 | |a Mexican Americans and mass media |x Political aspects |z United States |x History |y 21st century | |
650 | 0 | |a Mexican Americans in popular culture |x Political aspects |z United States |x History |y 20th century | |
650 | 0 | |a Mexican Americans in popular culture |x Political aspects |z United States |x History |y 21st century | |
650 | 0 | |a Mexican Americans in popular culture |x Political aspects |z UnitedStates |x History |y 20th century | |
650 | 0 | |a Mexican Americans in popular culture |x Political aspects |z UnitedStates |x History |y 21st century | |
650 | 0 | |a Mexican Americans |x Political activity |z United States | |
650 | 0 | |a Mexican Americans |x Social life and customs |x Political aspects |z United States |x History |y 20th century | |
650 | 0 | |a Mexican Americans |x Social life and customs |x Political aspects |z UnitedStates |x History |y 20th century | |
650 | 0 | |a Utopias in mass media | |
650 | 0 | |a Utopias |z United States | |
650 | 7 | |a SOCIAL SCIENCE / General |2 bisacsh | |
653 | |a Chicanx, popular culture, borderlands, global justice movement, border studies, Chicano history, Chicano music, Chicano music culture, Chicano art, east los angeles, media studies, cultural studies | ||
710 | 2 | |a De Gruyter | |
773 | 0 | |a De Gruyter University Press Library | |
776 | |z 1-4773-2447-X | ||
830 | 0 | |a Historia USA | |
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