The fateful lightning : Civil War stories and the magazine marketplace, 1861-1876 /

The fateful lightning : Civil War stories and the magazine marketplace, 1861-1876 /

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"The Fateful Lightning is the second volume of Diffley's trilogy on Civil War magazine fiction, called Making War Civil. Where her first book of the trilogy titled, Where My Heart is Turning Ever (UGA Press, 1992) charted the role of magazine fiction from the Northeast in "grounding t...

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Bibliographic Details
Main Author: Diffley, Kathleen Elizabeth, 1950- (Author, http://id.loc.gov/vocabulary/relators/aut)
Format: Book
Language:English
Published: Athens : The University of Georgia Press, [2021]
Series:Print culture in the South
Print culture in the South
Print culture in the South
Subjects:
1800-1899
19th century
Civil War, 1861-1865
Periodicals > Publishing > United States > History > 19th century
War stories, American > History and criticism > ^A2107789
War stories, American > History and criticism
Entreprises de presse > États-Unis > Histoire > 19e siècle
Entreprises de presse > États-Unis > Histoire > 19e siècle
Récits de guerre américains > Histoire et critique
Récits de guerre américains > Histoire et critique
History
Periodicals > Publishing
War and literature
War stories, American
United States > History > Civil War, 1861-1865 > Literature and the war > ^A1071483
United States > History > Civil War, 1861-1865 > Literature and the war
United States
Criticism, interpretation, etc
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100 1 |a Diffley, Kathleen Elizabeth,  |d 1950-  |e author  |1 http://viaf.org/viaf/97774071 
100 1 |a Diffley, Kathleen Elizabeth,  |d 1950-  |e author  |4 http://id.loc.gov/vocabulary/relators/aut 
100 1 |a Diffley, Kathleen Elizabeth,  |d 1950-  |e author  |= ^A727399 
100 1 |a Diffley, Kathleen Elizabeth,  |d 1950-  |e author 
245 1 4 |a The fateful lightning :  |b Civil War stories and the magazine marketplace, 1861-1876 /  |c Kathleen Diffley 
264 1 |a Athens :  |b The University of Georgia Press,  |c [2021] 
264 4 |c ©2021 
300 |a xv, 249 pages :  |b illustrations ;  |c 24 cm 
336 |a text  |b txt  |2 rdacontent 
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490 1 |a Print culture in the South  |0 http://viaf.org/viaf/sourceID/LC|no2018054242 
490 1 |a Print culture in the South 
504 |a Includes bibliographical references (pages 205-242) and index 
504 |a Includes bibliographical references and index 
505 0 0 |a Machine generated contents note:   |g ch. 1   |t Potshots: Border Traffic, International Copyright, and Baltimore's Southern Magazine --   |t Caroline Marsdale, "Cousin Jack" --   |t "Running Like the Mischief" --   |g ch. 2   |t Old Times There: The Lost Cause, Charlotte's The Land We Love, and Commemorative Stamps --   |t INA M. Porter, "Road-Side Story" --   |t "Dreadful Necessities" --   |g ch. 3   |t Railroaded: The Western War, Railroad Sprawl, and Chicago's Lakeside Monthly --   |t Helen E. Harrington, "In the Palmy Days of Slaveholding" --   |t "Deliver a Smeazel" --   |g ch. 4   |t Emancipation and Grizzly Reckoning: The Advent of Photography, San Francisco's Overland Monthly, and the Model of Parallax --   |t Josephine Clifford, "An Episode of `Fort Desolation'" --   |t "Like--a Sister" --   |t Coda: Depot, Culture, 1876 
505 0 0 |a Machine generated contents note:  |g ch. 1  |t Potshots: Border Traffic, International Copyright, and Baltimore's Southern Magazine --  |t Caroline Marsdale, "Cousin Jack" --  |t "Running Like the Mischief" --  |g ch. 2  |t Old Times There: The Lost Cause, Charlotte's The Land We Love, and Commemorative Stamps --  |t INA M. Porter, "Road-Side Story" --  |t "Dreadful Necessities" --  |g ch. 3  |t Railroaded: The Western War, Railroad Sprawl, and Chicago's Lakeside Monthly --  |t Helen E. Harrington, "In the Palmy Days of Slaveholding" --  |t "Deliver a Smeazel" --  |g ch. 4  |t Emancipation and Grizzly Reckoning: The Advent of Photography, San Francisco's Overland Monthly, and the Model of Parallax --  |t Josephine Clifford, "An Episode of `Fort Desolation'" --  |t "Like -- a Sister" --  |t Coda: Depot, Culture, 1876 
505 0 0 |g Introduction : Dépôt culture --  |t Potshots : border traffic, international copyright, and Baltimore's Southern magazine. "Cousin Jack" /  |r Caroline Marsdale --  |t "Running like the mischief" --  |t Old times there : the lost cause, Charlotte's The land we love, and commemorative stamps. "Road-side story" /  |r Ina M. Porter -- "Dreadful necessities" --  |t Railroaded : The western war, railroad sprawl, and Chicago's Lakeside monthly --  |t "In the palmy days of slaveholding" /  |r Helen E. Harrington --  |t Deliver a smeazel --  |t Emancipation and grizzly reckoning : the advent of photography, San Francisco's Overland monthly, and the model of parallax --  |t "An episode of 'Fort Desolation" /  |r Josephine Clifford --  |t "Like -a sister" --  |t Coda : Depot, culture, 1876 
505 8 |a Ch. 1 Potshots: Border Traffic, International Copyright, and Baltimore's Southern Magazine -- Caroline Marsdale, "Cousin Jack" -- "Running Like the Mischief" -- ch. 2 Old Times There: The Lost Cause, Charlotte's The Land We Love, and Commemorative Stamps -- INA M. Porter, "Road-Side Story" -- "Dreadful Necessities" -- ch. 3 Railroaded: The Western War, Railroad Sprawl, and Chicago's Lakeside Monthly -- Helen E. Harrington, "In the Palmy Days of Slaveholding" -- "Deliver a Smeazel" -- ch. 4 Emancipation and Grizzly Reckoning: The Advent of Photography, San Francisco's Overland Monthly, and the Model of Parallax -- Josephine Clifford, "An Episode of `Fort Desolation'" -- "Like -- a Sister" -- t Coda: Depot, Culture, 1876 
520 |a "The Fateful Lightning is the second volume of Diffley's trilogy on Civil War magazine fiction, called Making War Civil. Where her first book of the trilogy titled, Where My Heart is Turning Ever (UGA Press, 1992) charted the role of magazine fiction from the Northeast in "grounding the rites of citizenship" following the end of the Civil War, in Fateful Lightning, Diffley traces the sectional conflicts in a postwar nation, and how region shaped the political agendas of these post-war editorials. Diffley argues that the journals she looks at in this project present stories that give "unpredictable" results of sectional conflict and commemorate the Civil War differently from the Northeast publishing establishments. Diffley threads this through her analysis of four literary journals-the Baltimore's Southern Magazine, Charlotte's The Land We Love, Chicago's Lakeside Monthly, and San Francisco's Overland Monthly. Diffley uses a method of literary analysis that looks at not only on what is present in the text but through historically informed context, gleans cultural meanings from what the stories also "filter out." Coupling this literary analysis with city studies, Diffley's innovative approach demonstrate how these editorials offer, in her words, "varying gauges of continued political unrest, rising social opportunity, and dickering commemorative investments as Reconstruction began to unfold.""--  |c Provided by publisher 
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