Beyond intimacy : radical proximity and justice in three Mexican poets /
Karageorgou examines important philosophical and literary questions that ultimately speak about the relationship between art and justice through the substantial works of three contemporary Mexican poets: Poesida (1996) by Abigael Bohorquez (Mexico, 1936-1995), Migraciones (1979-2017) by Gloria Gevir...
Main Author: | |
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Format: | Book |
Language: | English |
Published: |
Montreal ; Kingston ; London ; Chicago :
McGill-Queen's University Press,
[2023]
Montreal ; Kingston ; London ; Chicago : McGill-Queens University Press, [2023] |
Series: | McGill-Queen's Iberian and Latin American cultures series ;
7 McGill-Queen's Iberian and Latin American cultures series ; 7 McGill-Queens Iberian and Latin American cultures series ; 7 |
Subjects: |
Summary: | Karageorgou examines important philosophical and literary questions that ultimately speak about the relationship between art and justice through the substantial works of three contemporary Mexican poets: Poesida (1996) by Abigael Bohorquez (Mexico, 1936-1995), Migraciones (1979-2017) by Gloria Gevirtz (Mexico, 1943-), and Ansina (2015) by Myriam Moscona (Mexico, 1955-). The first was gay, and died of AIDS, the other two are Jewish, and, in the case of Moscona, wrote Ansina using Judeo-Spanish (early modern Spanish written with the Hebrew alphabet). Karageorgous core argument is that lyric poetry and justice-making are two different forms of social praxis, comparable on the grounds of their aspiration to harmony and their work in constructing and expressing the social space of intimacy.-- "Karageorgou examines important philosophical and literary questions that ultimately speak about the relationship between art and justice through the substantial works of three contemporary Mexican poets: Poesida (1996) by Abigael Bohorquez (Mexico, 1936-1995), Migraciones (1979-2017) by Gloria Gevirtz (Mexico, 1943-), and Ansina (2015) by Myriam Moscona (Mexico, 1955-). The first was gay, and died of AIDS, the other two are Jewish, and, in the case of Moscona, wrote Ansina using Judeo-Spanish (early modern Spanish written with the Hebrew alphabet). Karageorgou's core argument is that lyric poetry and justice-making are two different forms of social praxis, comparable on the grounds of their aspiration to harmony and their work in constructing and expressing the social space of intimacy."-- |
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Item Description: | This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |
Physical Description: | xi, 203 ; 24 cm xi, 203 pages ; 24 cm Issued also in electronic format |
Bibliography: | Includes bibliographical references (pages 179-193) and index Includes bibliographical references and index |
ISBN: | 0228016436 9780228016434 |