Impressionism
Impressionism, the revolutionary movement born in France in the 1860s and '70s, was one of the most important breakthroughs in the history of painting. In this lively survey, the author relates the individual Impressionists--Renoir, Monet and Pissarro among them--to their predecessors and their...
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| Format: | Book |
| Language: | English |
| Published: |
London :
Thames & Hudson,
1967
London, Thames & Hudson [1967] [New York, N.Y.?] : Thames and Hudson, 1991, ©1967 London : [1967] New York, N.Y. : 1985 |
| Series: | World of art library History of art.
World of art library, history of art World of art library. History of art World of art |
| Subjects: |
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| 260 | |a London : |b Thames & Hudson, |c 1967 | ||
| 260 | |a London, |b Thames & Hudson |c [1967] | ||
| 260 | |a [New York, N.Y.?] : |b Thames and Hudson, |c 1991, ©1967 | ||
| 264 | 1 | |a London : |b Thames & Hudson, |c [1967] | |
| 264 | 1 | |a New York, N.Y. : |b Thames and Hudson, |c 1985 | |
| 264 | 4 | |c ©1967 | |
| 300 | |a 287 p |b illus. (some col.) |c 21 1/2 cm. | ||
| 300 | |a 287 pages : |b illustrations (some color) ; |c 21 cm | ||
| 300 | |a 287 pages : |b illustrations (some color) ; |c 22 cm | ||
| 300 | |a 287 pages : |b illustrations (some color). ; |c 22 cm | ||
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| 490 | 0 | |a [World of art library, history of art] | |
| 490 | 1 | |a World of art library, history of art | |
| 490 | 1 | |a World of art library. History of art | |
| 490 | 1 | |a World of art | |
| 490 | 1 | |a [World of art library, history of art] | |
| 500 | |a Includes index | ||
| 500 | |a Reprint. Originally published: New York : Praeger, 1967. (Praeger world art series) | ||
| 500 | |a [Reprint. Originally published: New York : Praeger, 1967. (Praeger world art series)] | ||
| 504 | |a Bibliography: p. 270-271 | ||
| 504 | |a Bibliography: pages 270-271 | ||
| 504 | |a Includes bibliographical references (p. 270-271) and index | ||
| 504 | |a Includes bibliographical references (pages 270-271) | ||
| 505 | 0 | |a The roots of impressionism -- Pissarro, Renoir and Sisley up to 1869 -- Monet and Bazille up to 1869 -- Events leading to the Impressionist exhibit of 1874 -- The relationship of Manet and Degas of the Impressionists -- The period of High Impressionism: 1874-c.1880 -- Impressionism in the art of Cezanne, Gauguin, and Van Gogh -- The later works of Monet, Renoir, and Pissarro -- Impressionism outside France. Conclusions | |
| 520 | |a Impressionism, the revolutionary movement born in France in the 1860s and '70s, was one of the most important breakthroughs in the history of painting. In this lively survey, the author relates the individual Impressionists--Renoir, Monet and Pissarro among them--to their predecessors and their heirs | ||
| 520 | |a "The Impressionists, Monet, Manet, Cezanne, Degas, Pissarro, and Renoir, are probably the most popular of all artistic schools. With imagination and insight, the author brings Impressionism into focus by showing it through the eyes of the artists and their contemporaries, using letters, critical reviews and reminiscences of the people who were part of the story. As we see in Bernard Denvir's compelling survey, the Impressionists had new ways of painting, but they also had a new world to paint: a world of stream tricycles, emergent photography, and modern ideas about perception"--Barnes & Noble | ||
| 520 | |a "The Impressionists, Monet, Manet, Cezanne, Degas, Pissarro, and Renoir, are probably the most popular of all artistic schools. With imagination and insight, the author brings Impressionism into focus by showing it through the eyes of the artists and their contemporaries, using letters, critical reviews and reminiscences of the people who were part of the story. As we see in Bernard Denvir's compelling survey, the Impressionists had new ways of painting, but they also had a new world to paint: a world of stream tricycles, emergent photography, and modern ideas about perception". --Barnes & Noble | ||
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