Digital humanities and the lost drama of early modern England : ten case studies /

This book establishes new information about the likely content of ten lost plays from the period 1580-1642. These plays' authors include Nashe, Heywood, and Dekker; and the plays themselves connect in direct ways to some of the most canonical dramas of English literature, including Hamlet, King...

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Bibliographic Details
Main Author:	Steggle, Matthew (Author, http://id.loc.gov/vocabulary/relators/aut)
Corporate Author:	Horace Howard Furness Memorial Library (University of Pennsylvania)
Format:	Book
Language:	English
Published:	Burlington, VT : Ashgate, [2015] Farnham, Surrey ; Burlington, VT : Ashgate Publishing, [2015]
Series:	Studies in performance and early modern drama
Subjects:	1500 - 1600 1500-1600 Early modern and Elizabethan, 1500-1600 English drama > Early modern and Elizabethan, 1500-1600 > History and criticism Lost literature > England Digital Humanities Drama English drama English drama > Early modern and Elizabethan Frühneuenglisch Lost literature England Criticism, interpretation, etc


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100	1		\|a Steggle, Matthew \|0 http://viaf.org/viaf/76576115
100	1		\|a Steggle, Matthew
100	1		\|a Steggle, Matthew, \|e author \|1 http://viaf.org/viaf/76576115
100	1		\|a Steggle, Matthew, \|e author \|4 http://id.loc.gov/vocabulary/relators/aut
100	1		\|a Steggle, Matthew, \|e author
245	1	0	\|a Digital humanities and the lost drama of early modern England : \|b ten case studies / \|c by Matthew Steggle
264		1	\|a Burlington, VT : \|b Ashgate, \|c [2015]
264		1	\|a Farnham, Surrey ; \|a Burlington, VT : \|b Ashgate Publishing, \|c [2015]
300			\|a 200 pages ; \|c 24 cm
300			\|a 200 pages ; \|c 25 cm
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490	0		\|a Studies in performance and early modern drama
490	1		\|a Studies in performance and early modern drama
500			\|a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC \|5 CTY
504			\|a Includes bibliographical references and index
505	0		\|a Thomas Nashe and Robert Mills, Terminus & Non Terminus (1586-8) -- Richard the Confessor (1593) -- Cutlack (1594) -- Bellendon (1594) -- Thomas Dekker, Truth's Supplication to Candlelight (1600) -- Thomas Heywood and Wentworth Smith, Albere Galles (1602) -- Henry the Una (c. 1619) -- The Angel King (1624) -- Henry Glapthorne, the Duchess of Fernandina (c. 1630-42) -- The Cardinal's Conspiracy (bef. 1639)
505	0	0	\|a note: \|g 1 \|t Thomas Nashe and Robert Mills, Terminus & Non Terminus (1586-1588) -- \|g 2. \|t Richard the Confessor (1593) -- \|g 3. \|t Cutlack (1594) -- \|g 4. \|t Bellendon (1594) -- \|g 5. \|t Thomas Dekker, Truth's Supplication to Candlelight (1600) -- \|g 6. \|t Thomas Heywood and Wentworth Smith, Albere Galles (1602) -- \|g 7. \|t Henry the Una (c. 1619) -- \|g 8. \|t Angel King (1624) -- \|g 9. \|t Henry Glapthorne, The Duchess of Fernandina (c. 1630-1642) -- \|g 10. \|t Cardinal's Conspiracy (bef. 1639).
520			\|a This book establishes new information about the likely content of ten lost plays from the period 1580-1642. These plays' authors include Nashe, Heywood, and Dekker; and the plays themselves connect in direct ways to some of the most canonical dramas of English literature, including Hamlet, King Lear, The Changeling, and The Duchess of Malfi. The lost plays in question are: Terminus & Non Terminus (1586-8); Richard the Confessor (1593); Cutlack (1594); Bellendon (1594); Truth's Supplication to Candlelight (1600); Albere Galles (1602); Henry the Una (c. 1619); The Angel King (1624); The Duchess of Fernandina (c. 1630-42); and The Cardinal's Conspiracy (bef. 1639). From this list of bare titles, it will be argued, can be reconstructed comedies, tragedies, and histories, whose leading characters included a saint, a robber, a Medici duchess, an impotent king, at least one Pope, and an angel. In each case, newly-available digital research resources make it possible to interrogate the title and to identify the play's subject-matter, analogues, and likely genre. But these concrete examples raise wider theoretical problems: What is a lost play? What can, and cannot, be said about objects in this problematic category? Known lost plays from the early modern theatre outnumber extant plays from that theatre: but how, in practice, can one investigate them? This book offers an innovative theoretical and practical frame for such work, putting digital humanities into action in the emerging field of lost play studies. -- Amazon.com
590			\|a OCLC \|b WorldCat Holdings
648		7	\|a 1500 - 1600 \|2 fast
648		7	\|a 1500-1600 \|2 fast
648		7	\|a Early modern and Elizabethan, 1500-1600 \|2 fast
650		0	\|a English drama \|y Early modern and Elizabethan, 1500-1600 \|x History and criticism
650		0	\|a Lost literature \|z England \|0 https://id.loc.gov/authorities/names/n82068148-781
650		0	\|a Lost literature \|z England
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650		7	\|a Lost literature \|2 fast
651		7	\|a England \|2 fast
655		7	\|a Criticism, interpretation, etc \|2 fast \|0 http://id.worldcat.org/fast/1411635
655		7	\|a Criticism, interpretation, etc \|2 fast
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796	2	3	\|a Carpenter \|e donor \|x Gift of \|z Gift of the Leona Bowman Carpenter Collection of English and American Literature
830		0	\|a Studies in performance and early modern drama
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Digital humanities and the lost drama of early modern England : ten case studies /

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