Critical musicological reflections : essays in honour of Derek B. Scott /
Setting out to address a range of approaches to theorizing music and promulgating modes of analysis across a wide range of repertories, the essays in this collection can be read as a coming of age of critical musicology through its active dialogue with other disciplines such as sociology, feminism,...
| Other Authors: | , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Farnham, Surrey ; Burlington, VT :
Ashgate,
[2012], ©2012
Farnham, Surrey ; Burlington, VT : c2012 Farnham, Surrey ; Burlington, VT : [2012] |
| Subjects: |
Table of Contents:
- 'Great, Scott!' / Stan Hawkins - Evidence of Things Not Seen: History, Subjectivities, Music / Susan McClary - Musical Identities, Learning and Education: Some Cross-Cultural Issues / Lucy Green - Béla Bartók: Reintegrating the Semantic and Synctactic Axes in Duke Bluebeard's Castle / David Cooper - Amusing the Cultivated Classes and Cultivating the Masses: Changes in Concert Repertoires in Nineteenth-century Helsinki / Vesa Kurkela - From Schizophonia to Paraphonia: On the Cultural Matrix of Digitally Generated Pop-Sounds / Peter Wicke - Material Culture and Decentred Selfhood (Socio-Visual Typologies of Musical Excess) / Richard Leppert - 'As Fast as One Possibly Can...': Virtuosity, a Truth of Musical Performance? / Antoine Hennion - On Music Criticism and Affect: Two Instances of the Disaffected Acoustic Imaginary / John Richardson - The Development of Bob Dylan's Rhythmic Sense: 'The Times They Were a'Changin' (1958-64) / Charles Ford - How Genres are Born, Change, Die: Conventions, Communities and Diachronic Processes / Franco Fabbri - Anatomy of the Encounter: Intercultural Analysis as Relational Musicology / Nicholas Cook - One Way of Feeling: Contextualizing a Hermeneutics of Spatialization / Allan F. Moore - The Virtuoso Body; Or, the Two Births of Musical Performance / Lawrence Kramer - Epilogue / Sheila Whiteley
- Great, Scott! / Stan Hawkins
- Evidence of things not seen: history, subjectivities, music
- Susan McClary
- Musical identities, learning and education: some cross-cultural issues / Lucy Green
- Béla Bartók: reintegrating the semantic and syntactic axes in Duke Bluebeard's Castle / David Cooper
- Amusing the cultivated classes and cultivating the masses: changes in concert repertoires in 19th-century Helsinki / Vesa Kurkela
- From schizophonia to paraphonia: on the cultural mix of digitally generated pop-sounds / Peter Wicke
- Material culture and decentered selfhood (socio-visual typologies of musical excess) / Richard Leppert
- 'As fast as one possibly can...' Virtuosity, a truth of musical performance? / Antoine Hennion
- On music criticism and affect: two instances of the disaffected acoustic imaginary / John Richardson
- The development of Bob Dylan's rhythmic sense: 'the times they were a'changin' (1958-1964) / Charles Ford
- How genres are born, change, die: conventions, communities and diachronic processes / Franco Fabbri
- Anatomy of the encounter: intercultural analysis as relational musicology / Nicholas Cook
- One way of feeling: contextualizing a hermeneutics of spatialization / Allan F. Moore
- The virtuoso body, or, the two births of musical performance / Lawrence Kramer
- Epilogue, Sheila Whiteley
- Great, Scott! / Stan Hawkins
- Evidence of things not seen: history, subjectivities, music
- Susan McClary
- Musical identities, learning and education: some cross-cultural issues / Lucy Green
- Bela Bartok: reintegrating the semantic and syntactic axes in Bluebeard's Castle / David Cooper
- Amusing the cultivated classes and cultivating the masses: changes in concert repertoires in 19th-century Helsinki / Vesa Kurkela
- From schizophonia to paraphonia: on the cultural mix of digitally generated pop-sounds / Peter Wicke
- Material culture and decentered selfhood (socio-visual typologies of musical excess) / Richard Leppert
- 'As fast as one possibly can...' Virtuosity, a truth of musical performance / Antoine Hennion
- On music criticism and affect: two cases of the disaffected acoustic imaginary / John Richardson
- The development of Bob Dylan's rhythmic sense: 'the times they were a'changin' (1958-1964) / Charlie Ford
- How genres are born, change, die: conventions, communities and diachronic processes / Franco Fabbri
- Anatomy of the encounter: intercultural analysis as relational musicology / Nicholas Cook
- One way of feeling: contextualizing a hermeneutics of spatialization / Allan F. Moore
- The virtuoso body, or, the two births of musical performance / Lawrence Kramer
- Epilogue, Sheila Whiteley