Mike Leigh /
Mike Leigh may well be Britain' s greatest living film director; his world-view has permeated our national consciousness. This book gives detailed readings of the nine feature films he has made for the cinema, as well as an overview of his work for television. Written with the co-operation of L...
Main Authors: | , |
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Format: | Book |
Language: | English |
Published: |
Manchester :
Manchester University Press,
2007
Manchester ; New York : New York : Manchester University Press ; Distributed exclusively in the USA by Palgrave, 2007 Manchester, UK ; New York : Manchester Univ Press, c2007 Manchester, UK ; New York : Manchester Univ. Press, 2007 Manchester, UK ; New York : Manchester Univ Press ; distributed exclusively in the USA by Palgrave, c2007 Manchester, UK ; New York : ©2007 Manchester, UK ; New York : New York : 2007 Manchester, UK ; New York : New York : [2007] |
Series: | British film makers
British film makers |
Subjects: |
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100 | 1 | |a Whitehead, Tony | |
100 | 1 | |a Whitehead, Tony, |d 1962- |1 http://viaf.org/viaf/24421653 | |
100 | 1 | |a Whitehead, Tony, |d 1962- | |
245 | 1 | 0 | |a Mike Leigh / |c Tony Whitehead |
260 | |a Manchester : |b Manchester University Press, |c 2007 | ||
260 | |a Manchester ; |a New York : |b Manchester University Press ; |a New York : |b Distributed exclusively in the USA by Palgrave, |c 2007 | ||
260 | |a Manchester, UK ; |a New York : |b Manchester Univ Press, |c c2007 | ||
260 | |a Manchester, UK ; |a New York : |b Manchester Univ. Press, |c 2007 | ||
260 | |a Manchester, UK ; |a New York : |b Manchester Univ. Press, |c c2007 | ||
260 | |a Manchester, UK ; |a New York : |b Manchester Univ. Press, |c ©2007 | ||
260 | |a Manchester, UK ; |a New York : |b Manchester University Press ; |a New York : |b Distributed exclusively in the USA by Palgrave, |c 2007 | ||
264 | 1 | |a Manchester, UK ; |a New York : |b Manchester Univ Press ; |a New York : |b distributed exclusively in the USA by Palgrave, |c [2007] | |
264 | 4 | |c ©2007 | |
300 | |a ix, 217 p. : |b ill. ; |c 22 cm | ||
300 | |a ix, 217 p. : |b ill. ; |c 23 cm | ||
300 | |a ix, 217 p. : |b ills. ; |c 23 cm | ||
300 | |a ix, 217 pages : |b illustrations ; |c 22 cm | ||
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504 | |a Filmography: p. [198]-208 | ||
504 | |a Filmography: p.[198]-208 | ||
504 | |a Filmography: pages 198-208 | ||
504 | |a Includes bibliographical references (p [209]-211) and index | ||
504 | |a Includes bibliographical references (p. [209]-211) and index | ||
504 | |a Includes bibliographical references (p. [209]-211), filmography (p. [198]-208) and index | ||
504 | |a Includes bibliographical references (pages 209-211) and index | ||
504 | |a Includes bibliographical references (pages [209]-211) and index | ||
505 | 0 | |a Introduction : 'you've gotta laugh' -- 'Really wants to direct' : formative years -- "A kind of language' : Bleak moments -- "A long time in the womb' : the TV films -- 'A different world' : High hopes -- 'So long as you're happy' : Life is sweet -- 'The future is now' : Naked -- 'Welcome to the family' : Secrets and lies-- 'All these memories' : Career girls -- 'Laughter, tears, curtain' : Topsy-turvy -- 'Life's too short' : All or nothing -- 'Out of the kindness of her heart' : Vera Drake -- Conclusion : 'the journey continues' | |
520 | |a Mike Leigh may well be Britain' s greatest living film director; his world-view has permeated our national consciousness. This book gives detailed readings of the nine feature films he has made for the cinema, as well as an overview of his work for television. Written with the co-operation of Leigh himself, this is the first study of his work to challenge the critical privileging of realism in histories of the British cinema, placing the emphasis instead on the importance of comedy and humor: of jokes and their functions, of laughter as a survival mechanism, and of characterizations and situations that disrupt our preconceptions of "realism." | ||
520 | 8 | |a Annotation |b Mike Leigh may well be Britain's greatest living film director; his world-view has permeated our national consciousness. This book gives detailed readings of the nine feature films he has made for the cinema, as well as an overview of his work for television. Written with the co-operation of Leigh himself, this is the first study of his work to challenge the critical privileging of realism in histories of the British cinema, placing the emphasis instead on the importance of comedy and humor: of jokes and their functions, of laughter as a survival mechanism, and of characterizations and situations that disrupt our preconceptions of "realism." | |
520 | 8 | |a Annotation |b Mike Leigh may well be Britain's greatest living film director; his world-view has permeated our national consciousness. This book gives detailed readings of the nine feature films he has made for the cinema, as well as an overview of his work for television. Written with the co-operation of Leigh himself, this is the first study of his work to challenge the critical privileging of realism in histories of the British cinema, placing the emphasis instead on the importance of comedy and humor: of jokes and their functions, of laughter as a survival mechanism, and of characterizations and situations that disrupt our preconceptions of "realism" | |
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