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|a Delaere, Mark
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|a Recevez Ce Mien Petit Labeur :
|b Studies in Renaissance Music in Honour of Ignace Bossuyt
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|a 1st ed
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|a Leuven :
|b Leuven University Press,
|c 2008
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|c ©2008
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|a 1 online resource (310 pages)
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|a Intro -- « RECEVEZ CE MIEN PETIT LABEUR » studies in renaissance music in honour of ignace bossuyt -- CONTENTS -- 'Una cosa riuscita': Ignace Bossuyt's Academic Career -- List of Publications by Ignace Bossuyt -- 1. Books -- 2. Dissertations -- 3. Editions -- 4. Articles in Journals and Articles or Chapters in Edited Books -- Humor in the Motets of Orlando di Lasso -- A new source, and new compositions, for Philippe de Monte -- Heinrich Isaac and his Recently Discovered Missa Presulem ephebeatum -- Introduction -- The Missa Presulem ephebeatum: Manuscript context -- The Missa Presulem ephebeatum: structure and style -- Context -- Conclusion -- Josquin in the Sources of Spain. An Evaluation of Two Unique Attributions -- Transmission -- Stylistic evidence -- Circumstantial evidence -- The Printed Tablature Books -- The Authorship Question -- Old Testament Motets For The War Of Cyprus (1570-71) -- Caron and Florence: A New Ascription and the Copying of the Pixérécourt Chansonnier -- The Officium of the Recollectio festorum beate Marie virginis by Gilles Carlier and Guillaume Du Fay: Its Celebration and Reform in Leuven -- 'Excellent For the Hand': Writing on John Bull's Keyboard Music in England -- Josquin, Willaert and Douleur me bat -- Gardano's Mottetti del Frutto of 1538-39 and the Promotion of a New Style -- La Frottola antica e la Caccia. Indizi di un recupero formale e stilistico nella prima metà del Cinquecento -- Die Entstehung der musikalischen Geschichte. Historisierung und ästhetische Praxis am Beispiel Josquins -- Historisierung der Musik -- Überzeitliche Geschichtlichkeit -- Josquin als Paradigma -- Individualität und Zeitlichkeit -- Musiktheorie als Geschichtstheorie -- Konfessionell e und geschichtliche Legitimität -- Kanonisierung als historischer Prozess -- Notations modales au seizième siècle -- 1. Considérations théoriques
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|a 1.1 Combinaisons standardisées des clefs et disposition des voix -- 1.2 Position des notes nominales -- 1.3. Choix des clefs et du système -- 1.3.1 Modes authentes -- 1.3.2. Modes plagaux -- 1.4. Types tonals -- 2. Notations modales dans les Psalmi poenitentiales d'Alexandre Utendal -- 2.1 Dorien (Primus psalmus) -- 2.2 Hypodorien (Secundus psalmus) -- 2.3. Phrygien (Tertius psalmus) -- 2.4 Hypophrygien (Quartus psalmus) -- 2.5 Lydien (Quintus psalmus) -- 2.6 Hypolydien (Sextus psalmus) -- 2.7 Mixolydien (Septimus psalmus) -- 2.8 Hypomixolydien (Oratio prima) -- 2.9 Éolien (Oratio secunda) -- 2.10 Hypoéolien (Oratio tertia) -- 2.11 Ionien (Oratio quarta) -- 2.12 Hypoionien (Oratio quinta et ultima) -- 3. Conclusions -- Notes from an Erasable Tablet -- Self-Citation and Self-Promotion: Zarlino and the Miserere Tradition -- Miserere mei Deus and Misereris omnium -- The 'exempl a' in Le istitutioni harmoniche -- Zarlino and the court of Ferrara -- Beati omnes, qui timent Dominum à 5. Oder: Von den Schwierigkeiten, Orlando di Lassos Motetten zu edieren -- Über ‚Nationalstile' in der Motette des 16. Jahrhunderts -- An Unknown Organ Manuscript with Mainly Magnificat-Settings by Lassus (1626) -- Introduction -- History of the Berx manuscript -- Description of the Berx manuscript -- Part 1: Two canzonas -- Part 2: Fifteen Magnificats -- Part 3: Mass parts and fragments/sketches -- Conclusion -- La musique et l'éducation des jeunes filles d'après La montaigne des pucelles / Den Maeghden-Bergh de Magdaleine Valéry (Leyde, 1599) -- Annexe -- Johannes Tinctoris and the Art of Listening -- Contributors -- Index of Names
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|a After a distinguished career of more than 35 years, Ignace Bossuyt retired as professor at the Musicology Department of the University of Leuven on October 1st 2007. As an internationally recognised leader in the field of later-16th-century music, Bossuyt consolidated the departments reputation as a centre of excellence in renaissance music studies. Articles in this volume deal with music from the period on which the dedicatee focussed his own research. Subjects discussed include newly discovered music by Philippe de Monte and Heinrich Isaac, humour in the motets of Orlando di Lasso, the beginnings of music history, compositional procedures in renaissance music, and Tinctoriss art of listening. A wide range of methodological perspectives is offered, including historiography, reception studies, source studies, music analysis, music theory, style studies, and aesthetics of music. The publication is both a Festschrift in which distinguished specialists honour an outstanding colleague, and a Liber Amicorum compiled for a dear friend
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|a Description based on publisher supplied metadata and other sources
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| 650 |
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|a Music -- 15th century -- History and criticism
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| 650 |
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|a Music -- 16th century -- History and criticism
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| 700 |
1 |
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|a Bergé, Pieter
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| 776 |
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|i Print version:
|a Delaere, Mark
|t Recevez Ce Mien Petit Labeur
|d Leuven : Leuven University Press,c2008
|z 9789058676504
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