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|a Hall, Joan Lord
|1 http://viaf.org/viaf/44458193
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|a Hall, Joan Lord
|
245 |
1 |
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|a The dynamics of role-playing in Jacobean tragedy /
|c Joan Lord Hall
|
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|a New York :
|b St. Martin's Press,
|c 1991
|
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|
1 |
|a New York :
|b St. Martin's Press,
|c 1991
|
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|a 241 p
|
300 |
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|a viii, 241 p. ;
|c 22 cm
|
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|a viii, 241 p. ;
|c 23 cm
|
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|a viii, 241 pages ;
|c 22 cm
|
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|a text
|b txt
|2 rdacontent
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|a unmediated
|b n
|2 rdamedia
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|a volume
|b nc
|2 rdacarrier
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|a Includes bibliographical references (p. 198-234) and index
|
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|a Includes bibliographical references (pages 198-234) and index
|
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|a Includes bibliographical references and index
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|g 1
|t Introduction.
|t Critical Concepts of Character and Role Jacobean Contexts.
|t 'Maker and molder': the Dynamics of Role-Playing in Jacobean Drama --
|g 2.
|t Obsession and Identity: Revenge Tragedy.
|t 'Brother, we lose ourselves': The Revenger's Tragedy.
|t 'To play the man well and duely': Hamlet and the Revenge Role --
|g 3.
|t The Providence Shaper: Tragicomedy and Tragedy.
|t Malevole-Altofront in The Malcontent.
|t 'And take upon's the mystery of things': Edgar in King Lear --
|g 4.
|t The Mask and the 'Deform'd' Self: Middleton's Tragedies.
|t Women Beware Women.
|t The Changeling --
|g 5.
|t 'Wee cannot...returne to our selves': Volpone --
|g 6.
|t Double-edged Theatrics: Antony and Cleopatra --
|g 7.
|t Acting and Self-Definition: The White Devil --
|g 8.
|t Creative Role-Playing: The Duchess of Malfi --
|g 9.
|t Style and Substance: The Broken Heart --
|g 10.
|t Conclusion.
|
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|a 1
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|a 1600 - 1699
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|a 1600-1699
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|a 17th century
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|a English drama (Tragedy)
|x History and criticism
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|a English drama
|y 17th century
|x History and criticism
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|a Role playing in literature
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|a English drama (Tragedy)
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|
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|a English drama
|2 fast
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|
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|a Role playing in literature
|2 fast
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|a Criticism, interpretation, etc
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