Table of Contents:
  • Demonstrations: A character study
  • A larger composition
  • A portrait demonstration
  • Oil glaze over monochrome
  • Acrylic glaze over monochromatic impasto
  • Using limited tone
  • Using watery acrylics
  • Painting the beard area
  • A quick, direct approach
  • A more formal approach
  • Relating a head to a white background
  • Utilizing ther versatility of acrylics
  • Blending hair and edges
  • Taking advantage of a tonned canvas
  • The self-portrait
  • How to work from a photograph