Unfolding time : studies in temporality in twentieth-century music /
Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in real time. For composers a work appears whole and entire, with the pres...
| Corporate Author: | |
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| Other Authors: | , |
| Format: | Book |
| Language: | English |
| Published: |
Leuven :
Leuven University Press,
2009
Leuven, Belgium : 2009 Leuven : 2009 |
| Series: | Collected writings of the Orpheus Institute ;
#8 Collected writings of the Orpheus Institute #8. Collected writings of the Orpheus Institute #8 Geschriften van het Orpheus Instituut #8. |
| Subjects: |
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| 245 | 0 | 0 | |a Unfolding time : |b studies in temporality in twentieth-century music / |c Mark Delaere ... [et al.] |
| 246 | 3 | 0 | |a Studies in temporality in twentieth-century music |
| 260 | |a Leuven : |b Leuven University Press, |c 2009 | ||
| 260 | |a Leuven, Belgium : |b Leuven University Press, |c 2009 | ||
| 264 | 1 | |a Leuven : |b Leuven University Press, |c 2009 | |
| 300 | |a 197 p. : |b ill., music ; |c 24 cm | ||
| 300 | |a 197 pages : |b illustrations, music ; |c 24 cm | ||
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| 490 | 1 | |a Collected writings of the Orpheus Institute ; |v #8 | |
| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 504 | |a Includes bibliographical references | ||
| 505 | 0 | 0 | |t Tempo, meter, rhythm : |t time in twentieth-century music / |r Mark Delaere -- |t Temporal complexity in modern and post-modern music : |t a critique from cognitive aesthetics / |r Justin London -- |t Rhythms--Durations--Rhythmic cells--Groups : |t concepts of microlevel time-organisation in serial music and their consequences on shaping time on higher structural levels / |r Pascal Decroupet -- |t Time is time : |t temporal signifcation in music / |r Bruce Brubaker -- |t Notation, time and the performer's relationship to the score in contemporary music / |r Ian Pace |
| 505 | 0 | 0 | |t Tempo, meter, rhythm : |t time in twentieth-century music / |r Mark Delaere -- |t Temporal complexity in modern and post-modern music : |t a critique from cognitive aesthetics / |r Justin London -- |t Rhythms--Durations--Rhythmic cells--Groups : |t concepts of microlevel time-organisation in serial music and their consequences on shaping time on higher structural levels / |r Pascal Decroupet -- |t Time is time : |t temporal signification in music / |r Bruce Brubaker -- |t Notation, time and the performer's relationship to the score in contemporary music / |r Ian Pace |
| 520 | |a Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in real time. For composers a work appears whole and entire, with the presence of the score having the potential to compress, and even eliminate, the perception of time as passing. The paradoxical relationship between these two perspectives, and the subtle mediations at the interface between them with which both performers and composers engage, form the subject matter of this collection of essays. The contributors address the temporal significance of specific topics such as notation, tempo, meter, and rhythm within broader contexts of performance, composition, aesthetics, and philosophy. The aim is to present novel ideas about music and time that provide particular insight into musical practice and the world of artistic research | ||
| 520 | 8 | |a Annotation |b Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in real time. For composers a work appears whole and entire, with the presence of the score having the potential to compress, and even eliminate, the perception of time as passing. The paradoxical relationship between these two perspectives, and the subtle mediations at the interface between them with which both performers and composers engage, form the subject matter of this collection of essays. The contributors address the temporal significance of specific topics such as notation, tempo, meter, and rhythm within broader contexts of performance, composition, aesthetics, and philosophy. The aim is to present novel ideas about music and time that provide particular insight into musical practice and the world of artistic research | |
| 590 | |a Acquired for the Penn Libraries with assistance from the Class of 1924 Book Fund | ||
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| 648 | 7 | |a 20th century |2 fast | |
| 648 | 7 | |a Geschichte 1900-2000 |2 swd | |
| 650 | 0 | |a Music theory |x History |y 20th century | |
| 650 | 0 | |a Music theory |y 20th century | |
| 650 | 0 | |a Music |y 20th century |x History and criticism | |
| 650 | 0 | |a Musical meter and rhythm | |
| 650 | 0 | |a Time in music | |
| 650 | 7 | |a History |2 fast | |
| 650 | 7 | |a Music theory |2 fast | |
| 650 | 7 | |a Time in music |2 fast | |
| 650 | 0 | 7 | |a Metrik (Musik) |2 swd |
| 650 | 0 | 7 | |a Musik |2 swd |
| 650 | 0 | 7 | |a Rhythmik |2 swd |
| 650 | 0 | 7 | |a Zeit |2 swd |
| 700 | 1 | |a Crispin, Darla |4 edt |0 http://viaf.org/viaf/103510823 | |
| 700 | 1 | |a Crispin, Darla |4 edt |1 http://viaf.org/viaf/103510823 | |
| 700 | 1 | |a Crispin, Darla |4 edt | |
| 700 | 1 | |a Crispin, Darla |4 edt. | |
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| 700 | 1 | |a Crispin, Darla, |e editor | |
| 700 | 1 | |a Delaere, Mark |4 ctb |0 http://viaf.org/viaf/68812 | |
| 700 | 1 | |a Delaere, Mark |4 ctb |1 http://viaf.org/viaf/68812 | |
| 700 | 1 | |a Delaere, Mark |4 ctb | |
| 700 | 1 | |a Delaere, Mark |4 ctb. | |
| 700 | 1 | |a Delaere, Mark | |
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| 700 | 1 | |a Delaere, Mark, |e contributor | |
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| 830 | 0 | |a Collected writings of the Orpheus Institute ; |v #8 | |
| 830 | 0 | |a Collected writings of the Orpheus Institute |l Dutch. |l English ; |v #8. | |
| 830 | 0 | |a Collected writings of the Orpheus Institute |v #8 | |
| 830 | 0 | |a Geschriften van het Orpheus Instituut |l English ; |v #8. | |
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