Advertising the self in Renaissance France : Lemaire, Marot, and Rabelais /
[This book] explores how authors and readers are represented in printed editions of the works of three major literary figures: Jean Lemaire de Belges, Clement Marot, and François Rabelais. Print culture is marked by an anxiety of reception that became much more pronounced with increasingly anonymou...
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| Format: | Book |
| Language: | English |
| Published: |
Newark :
Rutgers University Press
2019
University of Delaware Press, 2019 |
| Edition: | 1st ed |
| Series: | Early modern exchange
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| Subjects: |
Table of Contents:
- Cover Page
- Title Page
- Copyright
- Dedication
- Contents
- Acknowledgments
- List of Abbreviations
- Author's Note
- Introduction
- Part I. "Ung petit tableau de mon industrie": Jean Lemaire de Belges and Gratitude for Historiography
- 1. The Judgment of the Reader in the Illustrations de Gaule et singularitez de Troye
- 2. Lemaire's Genius in the Concorde des deux langages
- Part II. Clément Marot, or Proteus in Print
- 3. "Quel bien par rime on a": Authorial and Printerly Personae in the Adolescence clementine
- 4. "Je n'en donne ung festu, pourveu qu'ayons son livre": The Suite and the 1538 Œuvres
- Part III. The Cure Is the Disease: Self-Fashioning and Charlatanism in François Rabelais's Prologues
- 5. The Prophylactic Prologues of Pantagruel and Gargantua
- 6. Rabelais, Doctor of Iatrosophism
- Afterword: The Triumph of Advertising
- Appendix: Marot Editions and Their Contents
- Notes
- Bibliography
- Index