Disability and art history /

Disability and art history /

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This is the first book of its kind to feature interdisciplinary art history and disability studies scholarship. Art historians have traditionally written about images of figures with impairments, and artworks by disabled artists, without integrating disability studies scholarship, while many disabil...

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Bibliographic Details
Corporate Author: Dumbarton Oaks Museum
Other Authors: Howie, Elizabeth (Editor, http://id.loc.gov/vocabulary/relators/edt), Howie, Elizabeth, 1966- (Editor), Millett-Gallant, Ann, 1975- (Editor, http://id.loc.gov/vocabulary/relators/edt)
Format: Book
Language:English
Published: Abingdon, Oxon ; New York : Routledge, 2017
Abingdon, Oxon ; New York, NY : Routledge, an imprint of the Taylor & Francis Group, 2017
Abingdon, Oxon ; New York, NY : 2017
London ; New York : 2017
Series:Interdisciplinary Disability Studies
Interdisciplinary disability studies
Subjects:
Art and society
People with disabilities in art
Sociology of disability
Table of Contents:
  • Disability and art history introduction / Ann Millett-Gallant and Elizabeth Howie
  • Artists and muses: "Peter’s World" and other photographs by Susan Harbage Page / Ann Millett-Gallant
  • Exploiting, degrading, and repellent: against a biased interpretation of contemporary art about disability / Nina Heindl
  • Nothing is missing: spiritual elevation of a visually impaired Moche shaman / Rebecca R. Stone
  • Divining disability: criticism as diagnosis in Mesoamerican art history / William T. Gassaway
  • Difference and disability in the photography of Margaret Bourke-White / Keri Watson
  • Representing disability in post-World War II photography / Timothy W. Hiles
  • The disabled veteran of World War I in the mirror of contemporary art: the reception of Otto Dix's painting The Cripples (1920) in Yael Bartana's film Degenerate Art Lives (2010) / Anne Marno
  • Disabling Surrealism: reconstituting Surrealist tropes in contemporary art / Amanda Cachia
  • The dandy Victorian: Yinka Shonibare's allegory of disability and passing / Elizabeth Howie
  • Crafting disabled sexuality: the visual language of Nomy Lamm's "Wall of Fire" / Shayda Kafai
  • note: 1 Artists and muses: "Peter's World" and other photographs by Susan Harbage Page / Ann Millett-Gallant
  • 2. Exploiting, degrading, and repellent: against a biased interpretation of contemporary art about disability / Nina Heindl
  • 3. Nothing is missing: spiritual elevation of a visually impaired Moche shaman / Rebecca R. Stone
  • 4. Divining disability: criticism as diagnosis in Mesoamerican art history / William T. Gassaway
  • 5. Difference and disability in the photography of Margaret Bourke-White / Keri Watson
  • 6. Representing disability in post-World War II photography / Timothy W. Hiles
  • 7. disabled veteran of World War I in the mirror of contemporary art: the reception of Otto Dix's painting The Cripples (1920) in Yael Bartana's film Degenerate Art Lives (2010) / Anne Marno
  • 8. Disabling Surrealism: reconstituting Surrealist tropes in contemporary art / Amanda Cachia
  • 9. dandy Victorian: Yinka Shonibare's allegory of disability and passing / Elizabeth Howie
  • 10. Crafting disabled sexuality: the visual language of Nomy Lamm's "Wall of Fire" / Shayda Kafai.
  • 1 Artists and muses: "Peter's World" and other photographs by Susan Harbage Page / Ann Millett-Gallant Millett-Gallant, Ann 12
  • 2 Exploiting, degrading, and repellent: against a biased interpretation of contemporary art about disability / Nina Heindl Heindl, Nina 29
  • 3 Nothing is missing: spiritual elevation of a visually impaired Moche shaman / Rebecca R. Stone Stone, Rebecca R 47
  • 4 Divining disability: criticism as diagnosis in Mesoamerican art history / William T. Gassaway Gassaway, William T. 60
  • 5 Difference and disability in the photography of Margaret Bourke-White / Keri Watson Watson, Keri 82
  • 6 Representing disability in post-World War II photography / Timothy W. Hills Hills, Timothy W. 99
  • 7 The disabled veteran of World War I in the mirror of contemporary art: the reception of Otto Dix's painting The Cripples (1920) in Yael Bartana's film Degenerate Art Lives (2010) / Anne Marno Marno, Anne 119
  • 8 Disabling Surrealism: reconstituting Surrealist tropes in contemporary art / Amanda Cachta Cachta, Amanda 132
  • 9 The dandy Victprian: Yinka Shonibare's allegory of disability and passing / Elizabeth Howie Howie, Elizabeth 155
  • 10 Crafting disabled sexuality: the visual language of Nomy Lamm's "Wall of Fire" / Shayda Kafai Kafai, Shayda 178.
  • Disability and art history introduction / Ann Millett-Gallant and Elizabeth Howie
  • 1 Artists and muses: "Peter's World" and other photographs by Susan Harbage Page / Ann Millett-Gallant
  • 2. Exploiting, degrading, and repellent: against a biased interpretation of contemporary art about disability / Nina Heindl
  • 3. Nothing is missing: spiritual elevation of a visually impaired Moche shaman / Rebecca R. Stone
  • 4. Divining disability: criticism as diagnosis in Mesoamerican art history / William T. Gassaway
  • 5. Difference and disability in the photography of Margaret Bourke-White / Keri Watson
  • 8. Representing disability in post-World War II photography / Timothy W. Hiles
  • 7. The disabled veteran of World War I in the mirror of contemporary art: the reception of Otto Dix's painting The Cripples (1920) in Yael Bartana's film Degenerate Art Lives (2010) / Anne Marno
  • 8. Disabling Surrealism: reconstituting Surrealist tropes in contemporary art / Amanda Cachia
  • 9. The dandy Victorian: Yinka Shonibare's allegory of disability and passing / Elizabeth Howie
  • 10. Crafting disabled sexuality: the visual language of Nomy Lamm's "Wall of Fire" / Shayda Kafai.

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