The discourse of musicology /

"In The Discourse of Musicology, Giles Hooper considers a number of issues central to recent debates about the nature and direction of contemporary musicology. The first part of the book seeks to situate and critically rethink the alleged 'postmodern' turn in musical scholarship. Then...

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Bibliographic Details
Main Author: Hooper, Giles, 1974-
Format: Book
Language:English
Published: Aldershot, England ; Burlington, VT : Ashgate, [2006], ©2006
Aldershot, England ; Burlington, VT : c2006
Aldershot, England ; Burlington, VT : ©2006
Aldershot, Hants, England ; Burlington, VT : c2006
Aldershot, England ; Burlington, VT : [2006]
Subjects:
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245 1 4 |a The discourse of musicology /  |c Giles Hooper 
260 |a Aldershot, England ;  |a Burlington, VT :  |b Ashgate,  |c [2006], ©2006 
260 |a Aldershot, England ;  |a Burlington, VT :  |b Ashgate,  |c c2006 
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300 |a vii, 155 p. ;  |c 24 cm 
300 |a vii, 155 p. ;  |c 25 cm 
300 |a vii, 155 pages ;  |c 24 cm 
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500 |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC  |5 CTY 
504 |a Includes bibliographical references (p. 141-152) and index 
504 |a Includes bibliographical references (pages 141-152) and index 
505 0 |a A new musicology? -- The study of music as an institutionalised discourse -- Putting things in context -- Models of mediation -- Comparative critique : Mahler's ninth symphony 
505 0 |a A new musicology? -- The study of music as an institutionalized discourse -- Putting things in context -- Models of mediation -- Comparative critique : Mahler's ninth symphony 
505 0 0 |g 1  |t A new musicology? --  |g 2.  |t The study of music as an institutionalized discourse --  |g 3.  |t Putting things in context --  |g 4.  |t Models of mediation --  |g 5.  |t Comparative critique : Mahler's ninth symphony --  |g 6.  |t Conclusion. 
520 1 |a "In The Discourse of Musicology, Giles Hooper considers a number of issues central to recent debates about the nature and direction of contemporary musicology. The first part of the book seeks to situate and critically rethink the alleged 'postmodern' turn in musical scholarship. Then, in attempting to overcome some of the problems typically associated with postmodern theory, Hooper draws on the work of Jurgen Habermas in order to interpret musicology as a form of institutionalized discourse and to propose a normative framework for the kind of knowledge in which it can legitimately issue. The second part of the book focuses on the concepts of 'mediation' and the 'music itself' and engages with the work of influential critical theorist, Theodor Adorno, and the contemporary musicologist, Lawrence Kramer."--BOOK JACKET 
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