Symbionts : contemporary artists and the biosphere /

Symbionts : contemporary artists and the biosphere /

"Essays, conversations, selected texts, and a rich collection of thought-provoking artworks celebrate a revolution in bio art. Expertly designed by Omnivore and printed on special papers, including chlorophyll cover and crush citrus and crush cocoa pages...The texts and artworks in Symbionts pr...

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Bibliographic Details
Corporate Authors: MIT List Visual Arts Center (host insitution, http://id.loc.gov/vocabulary/relators/his), Omnivore (http://id.loc.gov/vocabulary/relators/bkd)
Other Authors: Bell, Natalie (Editor, http://id.loc.gov/vocabulary/relators/edt), Jones, Caroline A (Editor), Jones, Caroline A. (Editor, http://id.loc.gov/vocabulary/relators/edt), Nimrod, Selby (Editor, http://id.loc.gov/vocabulary/relators/edt)
Format: Book
Language:English
Published: Cambridge, Massachusetts : The MIT Press, [2022]
Subjects:
2000-2099
21st century
Art and biology > Exhibitions
Art, Modern > 21st century > Exhibitions
Biology in art > Exhibitions
Art et biologie > Expositions
Art > 21e siècle > Expositions
Biologie dans l'art > Expositions
ART / General
Art and biology
Art, Modern
Biology in art
Catalogues d'exposition
Exhibition catalogs
exhibition catalogs
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130 0 |a Symbionts (MIT List Visual Arts Center) 
245 0 0 |a Symbionts :  |b contemporary artists and the biosphere /  |c edited by Caroline A. Jones, Natalie Bell, Selby Nimrod 
264 1 |a Cambridge, Massachusetts :  |b The MIT Press,  |c [2022] 
264 4 |c ©2022 
300 |a 264 pages :  |b color illustrations ;  |c 24 cm 
300 |a 264 pages :  |b color illustrations ;  |c 25 cm 
300 |a 264 pages :  |b color illustrations, facsimiles, portrait ;  |c 24 cm 
300 |a 264 pages :  |b illustrations (chiefly color), facsimiles, portrait ;  |c 24 cm 
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500 |a "Realized in tandem with the exhibition, Symbionts: contemporary artists and the biosphere, October 21, 2022-February 23, 2023, MIT List Visual Arts Center"--Colophon 
500 |a "Realized in tandem with the exhibition, Symbionts: contemporary artists and the biosphere, October 21, 2022-February 26, 2023, MIT List Visual Arts Center"--Colophon 
504 |a Includes bibliographical references (pages 249-257) 
505 0 0 |t Director's foreword /  |r Paul C. Ha --  |g 1  |t Hologenome.  |t Symbiontics: A polemic for our time /  |r Caroline A. Jones --  |t In a topological condition /  |r Sophia Roosth --  |t Margulis, autopoiesis, and sympoiesis /  |r Brucke Clarke and Scott F. Gilbert --  |t Biospheric politics /  |r Leah Aronowksy --  |t Attunement: Form in motion /  |r Anna Lowenhaupt Tsing --  |g 2.  |t Symbionts.  |t Crystal Z Campbell --  |t Gilberto Esparza --  |t Jes Fan --  |t Pierre Huyghe --  |t Candice Lin --  |t Alan Michelson --  |t Nour Mobarak --  |t Claire Pentecost --  |t Špela Petrič --  |t Pamela Rosenkranz --  |t Miriam Simun --  |t Jenna Sutela --  |t Kiyan Williams --  |t Anicka Yi --  |g 3.  |t Biome.  |t Symbiosis, reciprocity, and indigenous epistemologies: A conversation --  |t The honorable harvest /  |r Robin Wall Kimmerer --  |t Big trouble in biology /  |r Lynn Margulis --  |t The force of the pacemaker concept /  |r Evelyn Fox Keller --  |g 4.  |t Mycorrhiza.  |t Glossary --  |t Bibliography --  |t Works in the exhibition --  |t Contributions 
505 0 0 |t Director's foreword /  |r Paul C. Ha --  |g 1  |t Hologenome.  |t Symbiontics: A polemic for our time /  |r Caroline A. Jones --  |t In a topological condition /  |r Sophia Roosth --  |t Margulis, autopoiesis, and sympoiesis /  |r Brucke Clarke and Scott F. Gilbert --  |t Biospheric politics /  |r Leah Aronowksy --  |t Attunement: Form in motion /  |r Anna Lowenhaupt Tsing --  |g 2.  |t Symbionts.  |t Crystal Z Campbell --  |t Gilberto Esparza --  |t Jes Fan --  |t Pierre Huyghe --  |t Candice Lin --  |t Alan Michelson --  |t Nour Mobarak --  |t Claire Pentecost --  |t `pela Petri --  |t Pamela Rosenkranz --  |t Miriam Simun --  |t Jenna Sutela --  |t Kiyan Williams --  |t Anicka Yi --  |g 3.  |t Biome.  |t Symbiosis, reciprocity, and indigenous epistemologies: A conversation --  |t The honorable harvest /  |r Robin Wall Kimmerer --  |t Big trouble in biology /  |r Lynn Margulis --  |t The force of the pacemaker concept /  |r Evelyn Fox Keller --  |g 4.  |t Mycorrhiza.  |t Glossary --  |t Bibliography --  |t Works in the exhibition --  |t Contributions 
505 0 0 |t Director's foreword /  |r Paul C. Ha --  |g 1  |t Hologenome.  |t Symbiontics: A polemic for our time /  |r Caroline A. Jones --  |t In a topological condition /  |r Sophia Roosth --  |t Margulis, autopoiesis, and sympoiesis /  |r Brucke Clarke and Scott F. Gilbert --  |t Biospheric politics /  |r Leah Aronowksy --  |t Attunement: Form in motion /  |r Anna Lowenhaupt Tsing --  |g 2.  |t Symbionts.  |t Crystal Z Campbell --  |t Gilberto Esparza --  |t Jes Fan --  |t Pierre Huyghe --  |t Candice Lin --  |t Alan Michelson --  |t Nour Mobarak --  |t Claire Pentecost --  |t Špela Petrič --  |t Pamela Rosenkranz --  |t Miriam Simun --  |t Jenna Sutela --  |t Kiyan Williams --  |t Anicka Yi --  |g 3.  |t Biome.  |t Symbiosis, reciprocity, and indigenous epistemologies: A conversation --  |t The honorable harvest /  |r Robin Wall Kimmerer --  |t Big trouble in biology /  |r Lynn Margulis --  |t The force of the pacemaker concept /  |r Evelyn Fox Keller --  |g 4.  |t Mycorrhiza.  |t Glossary --  |t Bibliography --  |t Works in the exhibition --  |t Contributions 
520 |a "Essays, conversations, selected texts, and a rich collection of thought-provoking artworks celebrate a revolution in bio art. Expertly designed by Omnivore and printed on special papers, including chlorophyll cover and crush citrus and crush cocoa pages...The texts and artworks in Symbionts provoke a necessary conversation about our species and its relation to the planet. Are we merely "mammalian weeds," as evolutionary biologist Lynn Margulis put it? Or are we partners in producing and maintaining the biosphere, as she also suggested? Symbionts reflects on a recent revolution in bio art that departs from the late-1990s code-oriented experiments to embrace entanglement and symbiosis ("with-living"). Combining documentation of contemporary artworks with texts by leading thinkers, Symbionts, which accompanies an exhibition at MIT List Visual Arts Center, offers an expansive view of humanity's place on the planet. Color reproductions document works by international artists that respond to the revelation that planetary microbes construct and maintain our biosphere. A central essay by coeditor Caroline Jones sets their work in the context of larger discussions around symbiosis; additional essays, an edited roundtable discussion, and selected excerpts follow. Contributors explore, among other things, the resilient ecological knowledge of indigenous scholars and artists, and "biofiction," a term coined by Jones to describe the work of such theoretical biologists as Jacob von Uexküll as well as the witty parafictions of artist Anicka Yi. A playful glossary puts scientific terms in conversation with cultural ones." --  |c Provided by publisher 
520 |a "Essays, conversations, selected texts, and a rich collection of thought-provoking artworks celebrate a revolution in bio art. Expertly designed by Omnivore and printed on special papers, including chlorophyll cover and crush citrus and crush cocoa pages...The texts and artworks in Symbionts provoke a necessary conversation about our species and its relation to the planet. Are we merely "mammalian weeds," as evolutionary biologist Lynn Margulis put it? Or are we partners in producing and maintaining the biosphere, as she also suggested? Symbionts reflects on a recent revolution in bio art that departs from the late-1990s code-oriented experiments to embrace entanglement and symbiosis ("with-living"). Combining documentation of contemporary artworks with texts by leading thinkers, Symbionts, which accompanies an exhibition at MIT List Visual Arts Center, offers an expansive view of humanity's place on the planet. Color reproductions document works by international artists that respond to the revelation that planetary microbes construct and maintain our biosphere. A central essay by coeditor Caroline Jones sets their work in the context of larger discussions around symbiosis; additional essays, an edited roundtable discussion, and selected excerpts follow. Contributors explore, among other things, the resilient ecological knowledge of indigenous scholars and artists, and "biofiction," a term coined by Jones to describe the work of such theoretical biologists as Jacob von Uexküll as well as the witty parafictions of artist Anicka Yi. A playful glossary puts scientific terms in conversation with cultural ones." --  |c Provided by publisher 
520 |a "Essays, conversations, selected texts, and a rich collection of thought-provoking artworks celebrate a revolution in bio art. Expertly designed by Omnivore and printed on special papers, including chlorophyll cover and crush citrus and crush cocoa pages...The texts and artworks in Symbionts provoke a necessary conversation about our species and its relation to the planet. Are we merely “mammalian weeds,” as evolutionary biologist Lynn Margulis put it? Or are we partners in producing and maintaining the biosphere, as she also suggested? Symbionts reflects on a recent revolution in bio art that departs from the late-1990s code-oriented experiments to embrace entanglement and symbiosis (“with-living”). Combining documentation of contemporary artworks with texts by leading thinkers, Symbionts, which accompanies an exhibition at MIT List Visual Arts Center, offers an expansive view of humanity’s place on the planet. Color reproductions document works by international artists that respond to the revelation that planetary microbes construct and maintain our biosphere. A central essay by coeditor Caroline Jones sets their work in the context of larger discussions around symbiosis; additional essays, an edited roundtable discussion, and selected excerpts follow. Contributors explore, among other things, the resilient ecological knowledge of indigenous scholars and artists, and “biofiction,” a term coined by Jones to describe the work of such theoretical biologists as Jacob von Uexküll as well as the witty parafictions of artist Anicka Yi. A playful glossary puts scientific terms in conversation with cultural ones." --  |c Provided by publisher 
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