In the garden of the bridehouse /

In the garden of the bridehouse /

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"A collection of original poetry in three parts"--

Bibliographic Details
Main Author: Martinez, J. Michael, 1978- (Author)
Corporate Author: Harris Collection of American Poetry and Plays (Brown University) Poetry, 2001-2025
Format: Book
Language:English
Published: Tucson : The University of Arizona Press, 2014
Tucson : University of Arizona Press, 2014
Series:Camino del sol
Subjects:
2000 - 2099
2000-2099
American poetry > 21st century
American poetry
Poetry
Table of Contents:
  • Acknowledgments (starting p. viii)
  • The Treatise of Swans
  • Self-Portrait as the Soul Excluded, My Speechless (starting p. 6)
  • Self-Portrait as One-Night Stand (starting p. 7)
  • Self-Portrait When We Were New Animals Across an Ancient Sky (starting p. 8)
  • Self-Portrait as the Hinge Within the Fable (starting p. 9)
  • Self-Portrait as Your Voice, Trying to Stop an Echo (starting p. 10)
  • Self-Portrait as the Polaroid of You (starting p. 11)
  • Self-Portrait as the Record Player's Needle (starting p. 12)
  • Self-Portrait as Letter Addressed to Self (starting p. 13)
  • Self-Portrait Where We Sing of Such Wounded Swans (starting p. 14)
  • Self-Portrait as a Grim Tale (starting p. 15)
  • In the Garden of the Bridehouse (starting p. 16)
  • Self-Portrait When We Were Animals Called Ocean, Called Honky, Called Baby (starting p. 17)
  • Micrographia
  • /jenisis/ (starting p. 24)
  • The Gospel of Ometeotl, the Brown Adam (starting p. 25)
  • In the Garden of the Bridehouse (starting p. 27)
  • The Chrestomathies of Omecihuatl, Giver of Life (starting p. 28)
  • /i: v/ (starting p. 30)
  • Omecihuatl in the Garden Where Yes Is the Only Island (starting p. 31)
  • The Chrestomathies of Omecihuatl, Giver of Life (starting p. 33)
  • /'ædem/ (starting p. 35)
  • In Dominion, the Breath's Hammer (starting p. 36)
  • The Chrestomathies of Omecihuatl, Giver of Life (starting p. 39)
  • Where Timid Gestures Black (starting p. 41)
  • The Chrestomathies of Omecihuatl, Giver of Life (starting p. 43)
  • In the Garden of the Bridehouse (starting p. 46)
  • The Child's Dream of Asters
  • The Child's Dream of Asters & the Water's Elegy (starting p. 48)
  • In the Garden of the Bridehouse (starting p. 63)
  • The Bridehouse's Harmonograph (starting p. 64)
  • Notes (starting p. 67)
  • The Treatise of Swans
  • Self-Portrait as the Soul Excluded, My Speechless 6
  • Self-Portrait as One-Night Stand 7
  • Self-Portrait When We Were New Animals Across an Ancient Sky 8
  • Self-Portrait as the Hinge Within the Fable 9
  • Self-Portrait as Your Voice, Trying to Stop an Echo 10
  • Self-Portrait as the Polaroid of You 11
  • Self-Portrait as the Record Player's Needle 12
  • Self-Portrait as Letter Addressed, to Self 13
  • Self-Portrait Where We Sing of Such Wounded Swans 14
  • Self-Portrait as a Grim Tale 15
  • In the Garden of the Bridehouse 16
  • Self-Portrait When We Were Animals Called Ocean, Called Honky, Called Baby 17
  • Micrographia
  • /jénisis/ 24
  • The Gospel of Ometéotl, the Brown Adam 25
  • In the Garden of the Bridehouse 27
  • The Chrestomathies of Omecíhuatl, Giver of Life 28
  • /i:v/ 30
  • Omecíhuatl in the Garden Where Yes Is the Only Island 31
  • The Chrestomathies of Omecíhuatl, Giver of Life 33
  • /'ædǝm/ 35
  • In Dominion, the Breath's Hammer 36
  • The Chrestomathies of Omecíhuatl, Giver of Life 39
  • Where Timid Gestures Black 41
  • The Chrestomathies of Omecíhuatl, Giver of Life 43
  • In the Garden of the Bridehouse 46
  • The Child's Dream of Asters
  • The Child's Dream of Asters & the Water's Elegy 48
  • In the Garden of the Bridehouse 63
  • The Bridehouse's Harmonograph 64

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