Counterpoint and compositional process in the time of Dufay : perspectives from German musicology /
Garland Publishing announces a new series of books devoted to criticism and analysis of European sacred and secular music from 1300 to 1600. Scholars and performers can now explore this large repertory, but convincing critical approaches for intelligently examining the music remain elusive. These bo...
| Other Authors: | |
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| Format: | Book |
| Language: | English German |
| Published: |
New York :
Garland Pub.,
1997
New York : 1997 |
| Series: | Criticism and analysis of early music ;
v. 2 Criticism and analysis of early music ; v. 2 Criticism and analysis of early music ; vol. 2 Garland reference library of the humanities ; v. 1982 Garland reference library of the humanities ; vol. 1982 Garland reference library of the humanities vol. 1982 |
| Subjects: |
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| 245 | 0 | 0 | |a Counterpoint and compositional process in the time of Dufay : |b perspectives from German musicology / |c edited and translated by Kevin N. Moll |
| 260 | |a New York : |b Garland Pub., |c 1997 | ||
| 264 | 1 | |a New York : |b Garland Pub., |c 1997 | |
| 300 | |a xviii, 410 p. : |b ill. ; |c 23 cm | ||
| 300 | |a xviii, 410 p. : |b ill. ; |c 23 cm | ||
| 300 | |a xviii, 410 p. : |b music ; |c 23 cm | ||
| 300 | |a xviii, 410 pages : |b illustrations ; |c 23 cm | ||
| 300 | |a xviii, 410 pages : |b illustrations ; |c 23 cm | ||
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| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |2 rdacarrier | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 440 | 0 | |a Criticism and analysis of early music ; |v v. 2 | |
| 490 | 1 | |a Criticism and analysis of early music ; |v v. 2 | |
| 490 | 1 | |a Garland Reference Library of the humanities ; |v v. 1982 | |
| 490 | 1 | |a Garland reference library of the humanities ; |v v. 1982 | |
| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 504 | |a Includes bibliographical references (p. 369-394) and index | ||
| 504 | |a Includes bibliographical references (p. [369]-394) and index | ||
| 504 | |a Includes bibliographical references (pages 369-394) and index | ||
| 505 | 0 | |a Toward a comprehensive view of compositional priorities in the music of Dufay and his contemporaries / Kevin N. Moll -- Dufay : creator of Fauxbourdon / Heinrich Besseler -- Toward a history of the genesis of Fauxbourdon / Rudolf von Ficker -- Tonal harmony and full sonority : a reply to Rudolf von Ficker / Heinrich Besseler -- Harmony in the Cantus-Firmus compositions of the fifteenth century / Bernhard Meier -- The "tonal discant" and "free discant" techniques of composition in the fifteenth century / Ernst Apfel -- The Cantus-Firmus question in the fourteenth and early fifteenth centuries / Günther Schmidt --The origin of true four-voice counterpoint in England ; Four-voice counterpoint in the fourteenth and fifteenth centuries ; The harmonic structure of late medieval music as a foundation of major-minor tonality ; Late medieval harmonic structure and major-minor tonality / Ernst Apfel -- Tonality and harmony in the French Chanson between Machaut and Dufay Wolfgang Marggraf -- The effect of Medieval English polyphony upon the development of continental Cantus-Firmus techniques and tonal structure / Ernest H. Sanders | |
| 505 | 0 | 0 | |t Series Editor's Foreword / |r Jessie Ann Owens -- |t Foreword / |r Theodor Gollner -- |t Editor's Introduction: Toward a Comprehensive View of Compositional Priorities in the Music of Dufay and his Contemporaries / |r Kevin N. Moll -- |g 1 |t Dufay - Creator of Fauxbourdon / |r Heinrich Besseler -- |g 2. |t Toward a History of the Genesis of Fauxbourdon / |r Rudolf von Ficker -- |g 3. |t Tonal Harmony and Full Sonority: A Reply to Rudolf von Ficker / |r Heinrich Besseler -- |g 4. |t Harmony in the Cantus-Firmus Compositions of the Fifteenth Century / |r Bernhard Meier -- |g 5. |t The "Tonal Discant" and "Free Discant" Techniques of Composition in the Fifteenth Century / |r Ernst Apfel -- |g 6. |t The Cantus-Firmus Question in the Fourteenth and Early Fifteenth Centuries / |r Gunther Schmidt -- |g 7. |t The Origin of True Four-Voice Counterpoint in England / |r Ernst Apfel -- |g 8. |t Four-Voice Counterpoint in the Fourteenth and Fifteenth Centuries / |r Ernst Apfel -- |g 9. |t The Harmonic Structure of Late Medieval Music as a Foundation of Major-Minor Tonality / |r Ernst Apfel -- |g 10. |t Late Medieval Harmonic Structure and Major-Minor Tonality / |r Ernst Apfel -- |g 11. |t Tonality and Harmony in the French Chanson between Machaut and Dufay / |r Wolfgang Marggraf -- |g 12. |t The Effect of Medieval English Polyphony upon the Development of Continental Cantus-Firmus Techniques and Tonal Structure / |r Ernest H. Sanders -- |g Appendix. |t Glossary and Concordance of Specialized Terms -- |t Bibliography: List of Works Cited and Supplementary Modern Editions. |
| 505 | 0 | 0 | |t Series Editor's Foreword / |r Jessie Ann Owens -- |t Foreword / |r Theodor Gollner -- |t Editor's Introduction: Toward a Comprehensive View of Compositional Priorities in the Music of Dufay and his Contemporaries / |r Kevin N. Moll -- |g 1 |t Dufay - Creator of Fauxbourdon / |r Heinrich Besseler -- |g 2. |t Toward a History of the Genesis of Fauxbourdon / |r Rudolf von Ficker -- |g 3. |t Tonal Harmony and Full Sonority: A Reply to Rudolf von Ficker / |r Heinrich Besseler -- |g 4. |t Harmony in the Cantus-Firmus Compositions of the Fifteenth Century / |r Bernhard Meier -- |g 5. |t The "Tonal Discant" and "Free Discant" Techniques of Composition in the Fifteenth Century / |r Ernst Apfel -- |g 6. |t The Cantus-Firmus Question in the Fourteenth and Early Fifteenth Centuries / |r Gunther Schmidt -- |g 7. |t The Origin of True Four-Voice Counterpoint in England / |r Ernst Apfel -- |g 8. |t Four-Voice Counterpoint in the Fourteenth and Fifteenth Centuries / |r Ernst Apfel -- |
| 505 | 8 | 0 | |g 9 |t The Harmonic Structure of Late Medieval Music as a Foundation of Major-Minor Tonality / |r Ernst Apfel -- |g 10. |t Late Medieval Harmonic Structure and Major-Minor Tonality / |r Ernst Apfel -- |g 11. |t Tonality and Harmony in the French Chanson between Machaut and Dufay / |r Wolfgang Marggraf -- |g 12. |t The Effect of Medieval English Polyphony upon the Development of Continental Cantus-Firmus Techniques and Tonal Structure / |r Ernest H. Sanders -- |g Appendix. |t Glossary and Concordance of Specialized Terms -- |t Bibliography: List of Works Cited and Supplementary Modern Editions. |
| 520 | |a Garland Publishing announces a new series of books devoted to criticism and analysis of European sacred and secular music from 1300 to 1600. Scholars and performers can now explore this large repertory, but convincing critical approaches for intelligently examining the music remain elusive. These books will serve as a forum for new critical and analytical methodologies as they explore such topics as: -- tonal structures-- allusion and imitation-- narrative strategies-- text-music relationships-- genre-- compositional process-- number and proportion-- notation | ||
| 520 | 8 | |a Between 1948 and 1967, German-speaking scholars produced a significant collection of articles charting totally new concepts of mode, harmony, counterpoint, and compositional process in the late 15th century. These essays are presented in English translation for the first time | |
| 546 | |a Translations from German of articles originally published in Acta Musicologica, Archiv für Musikwissenschaft or Die Musikforschung between the years 1948 and 1967 | ||
| 596 | |a 18 | ||
| 600 | 1 | 0 | |a Dufay, Guillaume, |d 1397-1474 |x Criticism and interpretation |0 http://id.loc.gov/authorities/subjects/sh99005576 |
| 600 | 1 | 0 | |a Dufay, Guillaume, |d 1397-1474 |x Criticism and interpretation |0 http://viaf.org/viaf/sourceID/LC|n82003138 |
| 600 | 1 | 0 | |a Dufay, Guillaume, |d 1397-1474 |x Criticism and interpretation |
| 600 | 1 | 7 | |a Dufay, Guillaume, |d 1397-1474 |2 fast |1 http://viaf.org/viaf/100955223 |
| 600 | 1 | 7 | |a Dufay, Guillaume, |d 1397-1474 |2 fast |
| 648 | 7 | |a 15th century |2 fast | |
| 648 | 7 | |a 500-1400 |2 fast | |
| 648 | 7 | |a 500-1499 |2 fast | |
| 650 | 0 | |a Composition (Music) |x History |y 15th century | |
| 650 | 0 | |a Counterpoint |x History | |
| 650 | 0 | |a Counterpoint |y 15th century | |
| 650 | 0 | |a Counterpoint |y History | |
| 650 | 0 | |a Music |y 15th century |x History and criticism | |
| 650 | 0 | |a Music |y 500-1400 |x History and criticism | |
| 650 | 7 | |a Counterpoint |2 fast |0 http://id.worldcat.org/fast/881333 | |
| 650 | 7 | |a Counterpoint |2 fast | |
| 650 | 7 | |a Criticism and interpretation |2 fast | |
| 650 | 7 | |a History |2 fast | |
| 650 | 7 | |a Music |2 fast |0 http://id.worldcat.org/fast/1071422 | |
| 650 | 7 | |a Music |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc |2 fast |0 http://id.worldcat.org/fast/1411635 | |
| 655 | 7 | |a Criticism, interpretation, etc |2 fast | |
| 655 | 7 | |a History |2 fast |0 http://id.worldcat.org/fast/1411628 | |
| 655 | 7 | |a History |2 fast | |
| 700 | 1 | |a Moll, Kevin N |0 http://viaf.org/viaf/sourceID/LC|no96025412 | |
| 700 | 1 | |a Moll, Kevin N |1 http://viaf.org/viaf/44504328 | |
| 700 | 1 | |a Moll, Kevin N | |
| 830 | 0 | |a Criticism and analysis of early music ; |v v. 2 | |
| 830 | 0 | |a Criticism and analysis of early music ; |v vol. 2 | |
| 830 | 0 | |a Garland reference library of the humanities ; |v v. 1982 | |
| 830 | 0 | |a Garland reference library of the humanities ; |v vol. 1982 | |
| 830 | 0 | |a Garland reference library of the humanities |v vol. 1982 | |
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