American Indian performing arts : critical directions /
"[The] essays in this new volume on Native performing arts bring much deserved critical attention to a fabulous and diverse group of Native performers and performances. The scope is exciting, both in what the essays focus on -- contemporary Native plays, an early 20th century Sun Dance opera, p...
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| Other Authors: | , |
| Format: | Book |
| Language: | English |
| Published: |
Los Angeles, Calif. :
UCLA American Indian Studies Center,
c2010
Los Angeles, Calif. : ©2010 |
| Series: | Native American performance and critical studies series ;
6 |
| Subjects: |
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| 245 | 0 | 0 | |a American Indian performing arts : |b critical directions / |c edited by Hanay Geiogamah and Jaye T. Darby |
| 260 | |a Los Angeles, Calif. : |b UCLA American Indian Studies Center, |c c2010 | ||
| 260 | |a Los Angeles, Calif. : |b UCLA American Indian Studies Center, |c ©2010 | ||
| 300 | |a 287 p. : |b ill. ; |c 23 cm | ||
| 300 | |a xvi, 287 p. : |b ill. ; |c 23 cm | ||
| 300 | |a xvi, 287 pages : |b illustrations ; |c 23 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a Native American performance and critical studies series ; |v 6 | |
| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Acknowledgments / Hanay Geiogamah, Jaye T. Darby -- Introduction / Jace Weaver. -- Contemporary performances. The Te Ata world premiere : creations from a Native play / Christy Stanlake -- Web/sites : Tomson Highway's and James Luna's remappings of space and time / Birgit Däwes -- Into the sacred circle : homecomings in Native women's contemporary performance / Jaye T. Darby -- Those long lonely nights at the diner : specificity of place, community, and home in Arigon Starr's The red road / Carolyn Dunn -- Ritual and its deeper rhythms in ceremonial performance / Hanay Geiogamah -- Two worlds on stage : working in collaboration to prevent encroachment, appropriation, and other maddening forms of imperialism / Margo Lukens and William S. Yellow Robe, Jr. -- "How shall we honor them?" : empowerment and resistance in Blackfire's performative praxis / Jeff Berglund. -- Historical stagings. Zitkala-Ša's opera : staging strategies for American Indian survival in the early twentieth century / Katherine Young Evans -- Ha'nts : the Booger dance rhetorics of Lynn Riggs's The Cherokee night / Qwo-Li Driskill -- Performing Indianess and excellence : Nez Perce jazz bands of the twentieth century / Janis (Jan) Johnson -- Dancing in four directions : the teaching/choreography/performance of Rosalie Jones in the Contact zone / Julie Pearson-Little Thunder -- "We are not guilty!" : the creation of an Indigenous theatrical praxis / Courtney Elkin Mohler -- About the contributors | |
| 505 | 0 | |a Acknowledgments / Hanay Geiogamah, Jaye T. Darby -- Introduction / Jace Weaver. -- Contemporary performances. The Te Ata world premiere : creations from a Native play / Christy Stanlake -- Web/sites : Tomson Highway's and James Luna's remappings of space and time / Birgit Däwes -- Into the sacred circle : homecomings in Native women's contemporary performance / Jaye T. Darby -- Those long lonely nights at the diner : specificity of place, community, and home in Arigon Starr's The red road / Carolyn Dunn -- Ritual and its deeper rhythms in ceremonial performance / Hanay Geiogamah -- Two worlds on stage : working in collaboration to prevent encroachment, appropriation, and other maddening forms of imperialism / Margo Lukens and William S. Yellow Robe, Jr. -- "How shall we honor them?" : empowerment and resistance in Blackfire's performative praxis / Jeff Berglund. -- Historical stagings. Zitkala-Ša's opera : staging strategies for American Indian survival in the early twentieth century / Katherine Young Evans -- Ha'nts : the Booger dance rhetorics of Lynn Riggs's The Cherokee night / Qwo-Li Driskill -- Performing Indianess and excellence : Nez Perce jazz bands of the twentieth century / Janis (Jan) Johnson -- Dancing in four directions : the teaching/choreography/performance of Rosalie Jones in the Contact zone / Julie Pearson-Little Thunder -- "We are not guilty!" : the creation of an Indigenous theatrical praxis / Courtney Elkin Mohler -- About the contributors | |
| 505 | 0 | |a Acknowledgments / Hanay Geiogamah, Jaye T. Darby -- Introduction / Jace Weaver. -- Contemporary performances. The Te Ata world premiere : creations from a Native play / Christy Stanlake -- Web/sites : Tomson Highway's and James Luna's remappings of space and time / Birgit Däwes -- Into the sacred circle : homecomings in Native women's contemporary performance / Jaye T. Darby -- Those long lonely nights at the diner : specificity of place, community, and home in Arigon Starr's The red road / Carolyn Dunn -- Ritual and its deeper rhythms in ceremonial performance / Hanay Geiogamah -- Two worlds on stage : working in collaboration to prevent encroachment, appropriation, and other maddening forms of imperialism / Margo Lukens and William S. Yellow Robe, Jr. -- "How shall we honor them?" : empowerment and resistance in Blackfire's performative praxis / Jeff Berglund. -- Historical stagings. Zitkala-Ša's opera : staging strategies for American Indian survival in the early twentieth century / Katherine Young Evans -- Ha'nts : the Booger dance rhetorics of Lynn Riggs's The Cherokee night / Qwo-Li Driskill -- Performing Indianess and excellence : Nez Perce jazz bands of the twentieth century / Janis (Jan) Johnson -- Dancing in four directions : the teaching/choreography/performance of Rosalie Jones in the Contact zone / Julie Pearson-Little Thunder -- "We are not guilty!" : the creation of an Indigenous theatrical praxis / Courtney Elkin Mohler -- About the contributors | |
| 520 | 0 | |a "[The] essays in this new volume on Native performing arts bring much deserved critical attention to a fabulous and diverse group of Native performers and performances. The scope is exciting, both in what the essays focus on -- contemporary Native plays, an early 20th century Sun Dance opera, punk rock band musicians, turn-of-the-century jazz bands, contemporary modern dance -- and also in the issues the authors raise and consider. These include ways of acknowledging the spiritual power of Native performance in contemporary settings, as well as tendencies to exotify; the power of performance to transform, and the difference between this and concepts of theatricality as mimesis; tribally specific rhetorics for reading and staging works previously filtered through other frames; appropriation and encroachment, codes of conduct in Native theater production, and the possibilities of Native/non-Native collaboration. Discussion of some commonalities that many Native performances share weave throughout, such as the close interconnections among place, time, memory and language; Indigenous cosmologies; ancestral connections; incisive political critique; sly and wry humor"--Pub. info | |
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