The filmmaker's philosopher : Merab Mamardashvili and Russian cinema /
Exploring Mamardashvili's extensive philosophical output, as well as a range of recent Russian films, Alyssa DeBlasio reveals the intellectual affinities amongst directors of the Mamardashvili generation - including Alexander Sokurov, Andrey Zvyagintsev and Alexei Balabanov
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| Format: | Book |
| Language: | English |
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Edinburgh :
Edinburgh University Press,
[2022]
Edinburgh : Edinburgh University Press, Edinburgh University Press : Edinburgh University Press ; [2019] |
| Subjects: |
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| 100 | 1 | |a DeBlasio, Alyssa |e author | |
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| 100 | 1 | |a DeBlasio, Alyssa, |e author | |
| 245 | 1 | 4 | |a The filmmaker's philosopher : |b Merab Mamardashvili and Russian cinema / |c Ayssa DeBlasio |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press, |c [2022] | |
| 264 | 1 | |a Edinburgh : |b Edinburgh University Press : |b Edinburgh University Press ; |a Edinburgh University Press, |c [2019] | |
| 264 | 4 | |c ©2019 | |
| 300 | |a 1 online resource (216 pages) : |b 14 B/W illustrations | ||
| 300 | |a 1 online resource (viii, 203 pages) : |b illustrations (black and white) | ||
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| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Intro -- Title page -- Copyright -- Contents -- Figures -- Acknowledgments -- Note on Transliteration and Translation -- INTRODUCTION The Freest Man in the USSR -- CHAPTER 1 Alexander Sokurov's Demoted (1980): Consciousness as Celebration -- CHAPTER 2 Ivan Dykhovichnyi's The Black Monk (1988): Madness, Chekhov, and the Chimera of Idleness -- CHAPTER 3 Dmitry Mamuliya's Another Sky (2010): The Language of Consciousness -- CHAPTER 4 Alexei Balabanov's The Castle (1994) and Me Too (2012): Kafka, the Absurd, and the Death o | |
| 505 | 0 | 0 | |t Frontmatter -- |t Contents -- |t List of Figures -- |t Acknowledgments -- |t Note on Transliteration and Translation -- |t Introduction: The Freest Man in the USSR -- |t 1. Alexander Sokurov's Demoted (1980): Consciousness as Celebration -- |t 2. Ivan Dykhovichnyi's The Black Monk (1988): Madness, Chekhov, and the Chimera of Idleness -- |t 3. Dmitry Mamuliya's Another Sky (2010): The Language of Consciousness -- |t 4. Alexei Balabanov's The Castle (1994) and Me Too (2012): Kafka, the Absurd, and the Death of Form -- |t 5. Alexander Zeldovich's Target (2011): Tolstoy and Mamardashvili on the Infinite and the Earthly -- |t 6. Vadim Abdrashitov and Alexander Mindadze's The Train Stopped (1982): Film as a Metaphor for Consciousness -- |t Conclusion: Andrey Zvyagintsev's Loveless (2017): The Philosophical Image and the Possibilities of Film -- |t Appendix -- |t Bibliography -- |t Index |
| 505 | 8 | |a CHAPTER 5 Alexander Zeldovich's Target (2011): Tolstoy and Mamardashvili on the Infinite and the Ear -- CHAPTER 6 Vadim Abdrashitov and Alexander Mindadze's The Train Stopped (1982): Film as a Metaphor fo -- CONCLUSION Andrey Zvyagintsev's Loveless (2017): The Philosophical Image and the Possibilities of Fi -- Appendix -- Bibliography -- Index | |
| 506 | |a Restricted for use by site license. | ||
| 520 | |a Exploring Mamardashvili's extensive philosophical output, as well as a range of recent Russian films, Alyssa DeBlasio reveals the intellectual affinities amongst directors of the Mamardashvili generation - including Alexander Sokurov, Andrey Zvyagintsev and Alexei Balabanov | ||
| 520 | |a Traces the influence of Soviet philosopher Merab Mamardashvili on a generation of Soviet and Russian filmmakersShortlisted for the 2020 AATSEEL Best Book in Cultural Studies awardThe first study of Mamardashvili's significant influence on cinema, culture and philosophy in RussiaOffers a compelling analysis of contemporary Russian filmmakers, including Alexander Sokurov, Andrey Zvyagintsev and Alexei BalabanovProvides a carefully researched study of Mamardashvili's philosophy and intellectual biography, written for scholars from all disciplinesKnown as the 'Georgian Socrates' of Soviet philosophy, Merab Mamardashvili was a defining personality of the late-Soviet intelligentsia. In the 1970s and 1980s, he taught required courses in philosophy at Russia's two leading film schools, helping to educate a generation of internationally prolific directors. Exploring Mamardashvili's extensive philosophical output, as well as a range of recent Russian films, Alyssa DeBlasio reveals the intellectual affinities amongst directors of the Mamardashvili generation - including Alexander Sokurov, Andrey Zvyagintsev and Alexei Balabanov. This multidisciplinary study offers an innovative way to think about film, philosophy and the philosophical potential of the moving image. " | ||
| 538 | |a Mode of access: Internet via World Wide Web | ||
| 546 | |a In English | ||
| 588 | 0 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2022) | |
| 588 | 0 | |a Print version record | |
| 600 | 1 | 0 | |a Mamardashvili, Merab |
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| 650 | 0 | |a Philosophy in motion pictures | |
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| 650 | 7 | |a HISTORY / Russia & the Former Soviet Union |2 bisacsh | |
| 650 | 7 | |a Motion pictures |2 fast | |
| 650 | 7 | |a Philosophy in motion pictures |2 fast | |
| 651 | 7 | |a Russia (Federation) |2 fast | |
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| 710 | 2 | |a De Gruyter | |
| 773 | 0 | |a De Gruyter University Press Library | |
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