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010901s2001^^^^enka^^^^^b^^^^001^0^eng^d |
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|a 2001273858
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|a 47891892
|a 982303511
|a 992210332
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|a 0240516230
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|a 9780240516233
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|a (MCM)001002085MIT01
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|a (OCoLC)47891892
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|a (OCoLC-I)275327903
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|a (OCoLC-M)47149883
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|a 47149883
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|a DCLC2001273858-B
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|a BGU
|b eng
|c BGU
|d NDD
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|a BGU
|c BGU
|d DLC
|d CStRLIN
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|a BGU
|c BGU
|d MYG
|d OrLoB-B
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|a lccopycat
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|a MYGG
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|a NDHE
|c 1 [D01779791+]
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|a TK7881.8
|b .R86 2001
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9 |
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|a TK7881.8
|b .R85 2001
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0 |
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|a 621.389/3
|2 21
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|a TK7881.8
|b .R85 2001
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|a TK7881.8.R86 2001
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|a 621.3893
|b R938, S738, 2001
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1 |
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|a Rumsey, Francis
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1 |
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|a Spatial audio /
|c Francis Rumsey
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|a Oxford ;
|a Boston :
|b Focal Press,
|c 2001
|
260 |
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|a Oxford ;
|a Boston :
|b Focal Press,
|c c2001
|
300 |
|
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|a 240 p. :
|b ill. ;
|c 25 cm
|
300 |
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|a xi, 240 p. :
|b ill. ;
|c 25 cm
|
336 |
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|a text
|b txt
|2 rdacontent
|
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|a unmediated
|b n
|2 rdamedia
|
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|a volume
|b nc
|2 rdacarrier
|
490 |
1 |
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|a Music technology series
|
504 |
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|a Includes bibliographical references and index
|
505 |
0 |
0 |
|g 1
|t Introduction to spatial audio --
|g 1.1.
|t The spatial dimension in natural sound --
|g 1.2.
|t Sound sources in space --
|g 1.3.
|t Introduction to the spatial dimension in reproduced sound --
|g 1.4.
|t From mono to surround sound and 3D audio - a brief resume --
|g 1.5.
|t Applications of spatial audio --
|g 2.
|t Spatial audio psychoacoustics --
|g 2.1.
|t Sound source localisation --
|g 2.2.
|t Distance and depth perception --
|g 2.3.
|t Apparent source width --
|g 2.4.
|t Envelopment and spaciousness --
|g 2.5.
|t Naturalness --
|g 2.6.
|t Some subjective experiments involving spatial attributes of reproduced sound --
|g 2.7.
|t Cognitive issues in sound space perception --
|g 2.8.
|t The source-receiver signal chain --
|g 3.
|t Two-channel stereo and binaural audio --
|g 3.1.
|t Two-channel (2-0) stereo --
|g 3.2.
|t Binaural sound and 3D audio systems --
|g 4.
|t Multichannel stereo and surround sound systems --
|g 4.1.
|t Three-channel (3-0) stereo --
|g 4.2.
|t Four-channel surround (3-1 stereo) --
|g 4.3.
|t 5.1-channel surround (3-2 stereo) --
|g 4.4.
|t Other multichannel configurations --
|g 4.5.
|t Surround sound systems --
|g 4.6.
|t Matrixed surround sound systems --
|g 4.7.
|t Digital surround sound formats --
|g 4.8.
|t Ambisonics --
|g 5.
|t Spatial sound monitoring --
|g 5.1.
|t Introduction to listening room acoustics --
|g 5.2.
|t International guidelines for surround sound room acoustics --
|g 5.3.
|t Loudspeakers for surround sound: placement and directivity --
|g 5.4.
|t Monitor level alignment --
|g 5.5.
|t Virtual control room acoustics and monitors --
|g 6.
|t Two- and three-channel recording techniques --
|g 6.1.
|t Science versus aesthetics in spatial recording --
|g 6.2.
|t Two-channel microphone techniques --
|g 6.3.
|t Spot microphones and two-channel panning laws --
|g 6.4.
|t Three-channel techniques --
|g 7.
|t Surround sound recording techniques --
|g 7.1.
|t Surround sound microphone technique --
|g 7.2.
|t Multichannel panning techniques --
|g 7.3.
|t Artificial reverberation and room simulation --
|
505 |
8 |
0 |
|g 7.4
|t Surround sound mixing aesthetics --
|g 7.5.
|t Upmixing and downmixing.
|
596 |
|
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|a 31
|
650 |
|
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|a Sound
|x Recording and reproducing
|
650 |
|
0 |
|a Stereophonic sound systems
|
650 |
|
0 |
|a Surround-sound systems
|
650 |
|
7 |
|a Sound
|x Recording and reproducing
|2 fast
|
650 |
|
7 |
|a Stereophonic sound systems
|2 fast
|
650 |
|
7 |
|a Surround-sound systems
|2 fast
|
830 |
|
0 |
|a Music technology series
|
999 |
1 |
0 |
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999 |
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|l a4685273
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999 |
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|d 0
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999 |
1 |
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|d 0
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