Spatial audio /

Bibliographic Details
Main Author: Rumsey, Francis
Format: Book
Language:English
Published: Oxford ; Boston : Focal Press, 2001
Oxford ; Boston : c2001
Series:Music technology series
Subjects:
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260 |a Oxford ;  |a Boston :  |b Focal Press,  |c c2001 
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490 1 |a Music technology series 
504 |a Includes bibliographical references and index 
505 0 0 |g 1  |t Introduction to spatial audio --  |g 1.1.  |t The spatial dimension in natural sound --  |g 1.2.  |t Sound sources in space --  |g 1.3.  |t Introduction to the spatial dimension in reproduced sound --  |g 1.4.  |t From mono to surround sound and 3D audio - a brief resume --  |g 1.5.  |t Applications of spatial audio --  |g 2.  |t Spatial audio psychoacoustics --  |g 2.1.  |t Sound source localisation --  |g 2.2.  |t Distance and depth perception --  |g 2.3.  |t Apparent source width --  |g 2.4.  |t Envelopment and spaciousness --  |g 2.5.  |t Naturalness --  |g 2.6.  |t Some subjective experiments involving spatial attributes of reproduced sound --  |g 2.7.  |t Cognitive issues in sound space perception --  |g 2.8.  |t The source-receiver signal chain --  |g 3.  |t Two-channel stereo and binaural audio --  |g 3.1.  |t Two-channel (2-0) stereo --  |g 3.2.  |t Binaural sound and 3D audio systems --  |g 4.  |t Multichannel stereo and surround sound systems --  |g 4.1.  |t Three-channel (3-0) stereo --  |g 4.2.  |t Four-channel surround (3-1 stereo) --  |g 4.3.  |t 5.1-channel surround (3-2 stereo) --  |g 4.4.  |t Other multichannel configurations --  |g 4.5.  |t Surround sound systems --  |g 4.6.  |t Matrixed surround sound systems --  |g 4.7.  |t Digital surround sound formats --  |g 4.8.  |t Ambisonics --  |g 5.  |t Spatial sound monitoring --  |g 5.1.  |t Introduction to listening room acoustics --  |g 5.2.  |t International guidelines for surround sound room acoustics --  |g 5.3.  |t Loudspeakers for surround sound: placement and directivity --  |g 5.4.  |t Monitor level alignment --  |g 5.5.  |t Virtual control room acoustics and monitors --  |g 6.  |t Two- and three-channel recording techniques --  |g 6.1.  |t Science versus aesthetics in spatial recording --  |g 6.2.  |t Two-channel microphone techniques --  |g 6.3.  |t Spot microphones and two-channel panning laws --  |g 6.4.  |t Three-channel techniques --  |g 7.  |t Surround sound recording techniques --  |g 7.1.  |t Surround sound microphone technique --  |g 7.2.  |t Multichannel panning techniques --  |g 7.3.  |t Artificial reverberation and room simulation -- 
505 8 0 |g 7.4  |t Surround sound mixing aesthetics --  |g 7.5.  |t Upmixing and downmixing. 
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830 0 |a Music technology series 
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