Music, electronic media, and culture

Technology revolutionised the ways that music was produced in the twentieth century. As that century drew to a close and a new century begins a new revolution in roles is underway. The separate categories of composer, performer, distributor and listener are being challenged, while the sounds of the...

Full description

Bibliographic Details
Other Authors: Emmerson, Simon, 1950-
Format: Electronic Book
Language:English
Published: Aldershot ; Burlington, USA : Ashgate, c2000
Edition:1st ed
Subjects:
LEADER 03254nam a2200565Ia 4500
001 3572a77f-6238-4eb3-bd8c-c66366bc2dff
005 20240728000000.0
008 000714s2000 enk ob 001 0 eng d
010 |z  00059415  
020 |a 0-7546-8632-9 
020 |a 1-281-09865-5 
020 |a 1-315-59687-3 
020 |a 1-317-09171-X 
020 |a 9786611098650 
035 |a (Au-PeEL)EBL429716 
035 |a (CKB)1000000000401772 
035 |a (CaONFJC)MIL919110 
035 |a (CaPaEBR)ebr10211184 
035 |a (EBL)429716 
035 |a (EXLCZ)991000000000401772 
035 |a (MiAaPQ)EBC429716 
035 |a (OCoLC)437113572 
035 |a (PQKB)10378850 
035 |a (PQKBManifestationID)11183675 
035 |a (PQKBTitleCode)TC0000207142 
035 |a (PQKBWorkID)10246549 
035 |a (SSID)ssj0000207142 
040 |a MiAaPQ  |c MiAaPQ  |d MiAaPQ 
041 |a eng 
050 4 |a ML1380  |b .M86 2000 
082 0 0 |a 306.4’84  |a 306.484  |a 786.7 
245 0 0 |a Music, electronic media, and culture  |h [electronic resource] /  |c edited by Simon Emmerson 
250 |a 1st ed 
260 |a Aldershot ;  |a Burlington, USA :  |b Ashgate,  |c c2000 
300 |a 1 online resource (263 p.) 
336 |a text  |b txt 
337 |a computer  |b c 
338 |a online resource  |b cr 
500 |a Description based upon print version of record 
504 |a Includes bibliographical references and index 
505 0 |a Cover; Contents; Notes on contributors; Introduction; Part One: Listening and interpreting; 1 Through and around the acousmatic: the interpretation of electroacoustic sounds; 2 Simulation and reality: the new sonic objects; 3 Beyond the acousmatic: hybrid tendencies in electroacoustic music; Part Two: Cultural noise; 4 Plunderphonics; 5 Crossing cultural boundaries through technology?; 6 Cacophony; Part Three: New places, spaces and narratives; 7 Art on air: a profile of new radio art; 8 'Losing touch?': the human performer and electronics 
505 8 |a 9 Stepping outside for a moment: narrative space in two works for sound aloneIndex; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; X; Y; Z 
520 |a Technology revolutionised the ways that music was produced in the twentieth century. As that century drew to a close and a new century begins a new revolution in roles is underway. The separate categories of composer, performer, distributor and listener are being challenged, while the sounds of the world itself become available for musical use. All kinds of sounds are now brought into the remit of composition, enabling the music of others to be sampled (or plundered), including that of unwitting musicians from non-western cultures. This sound world may appear contradictory - stimulating and in 
546 |a English 
650 0 |a Electronic music  |x History and criticism 
650 0 |a Music and technology 
650 0 |a Music  |y 20th century  |x History and criticism 
700 1 |a Emmerson, Simon,  |d 1950- 
776 |z 0-7546-0109-9 
999 1 0 |i 3572a77f-6238-4eb3-bd8c-c66366bc2dff  |l 99119528612108501  |s US-NCD  |m music_electronic_media_and_culture____________________________________elect2000____1__ashgaa___________________________________________________________________________e