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|a Duve, Thierry de
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|a Duve, Thierry de,
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|a Duchamp's telegram :
|b from Beaux-arts to art-in-general /
|c Thierry de Duve
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| 264 |
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|a London :
|b Reaktion Books,
|c 2023
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|c ©2023
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| 300 |
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|a 456 pages :
|b illustrations (color and black and white) ;
|c 24 cm
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|a 456 pages :
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|a Includes bibliographical references (pages 399-442) and index
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|a Includes bibliographical references and index
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|a By way of introduction -- The Richard Mutt case -- Hard facts and soft speculation -- Agency, intention, motivation -- Don't shoot the messenger -- Pardon my French -- Redressing the Duchamp Syllogism -- Independents -- The invention of non-art (1): history -- The invention of non-art (II)" theory -- A most remarkable thought experiment -- Acknowledgements of receipt -- Bernar Venet's Pile of coal, 1963, and Tubes, 1966 -- Nahum Tevet's Works on glass, 1972-5 -- Art and objectness -- Broodthaer's lesson -- The guilty pleasure of being proved wrong -- Figure zero -- Why borrow from Magritte in order to negate Duchamp? -- By way of conclusion
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|a "In 1917, Marcel Duchamp sent out a 'telegram' in the guise of a urinal signed R. Mutt. When it arrived at its destination a good forty years later it was both celebrated and vilified as proclaiming that anything could be art; from that point on, the whole Western art world reconfigured itself as 'post-Duchamp'. This book offers a reading of Duchamp's telegram that sheds new light onto its first reception, corrects some historical mistakes and reveals that Duchamp's urinal in fact heralds the demise of the fine arts system and the advent of what Thierry de Duve calls the 'Art-in-General' system. Further, the author shows that this new system does not date from the 1960s but rather from the 1880s. Duchamp was neither its author nor its agent, but rather its brilliant messenger."--
|c Provided by publisher
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