Theatre and performance in digital culture : from simulation to embeddedness /
Theatre and Performance in Digital Culture examines the recent history of advanced technologies, including new media, virtual environments, weapons systems and medical innovation, and considers how theatre, performance and culture at large have evolved within those systems ... Drawing on the writing...
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| Format: | Book |
| Language: | English |
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Abingdon [U.K.] ; New York :
Routledge,
2006
London ; New York : 2006 |
| Series: | Routledge advances in theatre and performance studies ;
5 Routledge advances in theatre and performance studies ; 5 Routledge advances in theatre and performance studies 5 |
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| Summary: | Theatre and Performance in Digital Culture examines the recent history of advanced technologies, including new media, virtual environments, weapons systems and medical innovation, and considers how theatre, performance and culture at large have evolved within those systems ... Drawing on the writings of Giorgio Agamben, Alain Badiou and Martin Heidegger, alongside the dramas of Beckett, Genet and Shakespeare, and the theatre of Kantor, Foreman, Socìetas Raffaelo Sanzio and the Wooster Group, the book positions theatre and performance in technoculture and articulates the processes of aesthetics, metaphysics and politics. The wide-ranging study reflects on how the theatre and performance have been challenged and extended within these new cultural phenomena, and asks the question that if contemporary technoculture operates under the regime of embeddedness that seeks to infect information from within while colonizing the body through science and technology, and if the new site of the struggle for sovereignty within bio-political systems is the bare life of the individual, how can theatre produce an effective response?--From publisher description Theatre and Performance in Digital Culture examines the recent history of advanced technologies, including new media, virtual environments, weapons systems and medical innovation, and considers how theatre, performance and culture at large have evolved within those systems ... Drawing on the writings of Giorgio Agamben, Alain Badiou and Martin Heidegger, alongside the dramas of Beckett, Genet and Shakespeare, and the theatre of Kantor, Foreman, Socìetas Raffaelo Sanzio and the Wooster Group, the book positions theatre and performance in technoculture and articulates the processes of aesthetics, metaphysics and politics. The wide-ranging study reflects on how the theatre and performance have been challenged and extended within these new cultural phenomena, and asks the question that if contemporary technoculture operates under the regime of embeddedness that seeks to infect information from within while colonizing the body through science and technology, and if the new site of the struggle for sovereignty within bio-political systems is the bare life of the individual, how can theatre produce an effective response?--From publisher description |
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| Item Description: | This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |
| Physical Description: | xiv, 214 p. : ill. ; 24 cm xiv, 214 pages : illustrations ; 24 cm |
| Bibliography: | Includes bibliographical references (p. [198]-204) and index Includes bibliographical references (pages 198-204) and index |
| ISBN: | 0203028228 (ebk) 0203028228 (ebk.) 0203028228 0415368405 (hbk.) 0415368405 0415544106 (pbk.) 0415544106 9780203028223 (ebk.) 9780203028223 9780415368407 (hbk.) 9780415368407 9780415544108 (pbk.) 9780415544108 |