Proof : the rise of printmaking in southern California / edited by Leah Lehmbeck
Published in conjunction with a 2011-2012 exhibition at the Norton Simon Museum in Pasadena California, this volume offers a detailed look at the Los Angeles art world, printmaking in particular, from 1900 through 1960, and from 1960 through now. The essays examine the scene, including the workshops...
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| Format: | Book |
| Language: | English |
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[Los Angeles] : [Pasadena, Calif.] : Seattle [Wash.] :
Getty Publications ; In association with the Norton Simon Museum ; Produced by Marquand Books,
2011
[Los Angeles] : [Pasadena, Calif.] : Seattle [Wash.] : 2011 |
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| 245 | 0 | 0 | |a Proof : |b the rise of printmaking in southern California / edited by Leah Lehmbeck |
| 246 | 3 | 0 | |a Rise of printmaking in southern California |
| 260 | |a [Los Angeles] : |b Getty Publications ; |a [Pasadena, Calif.] : |b In association with the Norton Simon Museum ; |a Seattle [Wash.] : |b Produced by Marquand Books, |c 2011 | ||
| 263 | |a 1109 | ||
| 264 | 1 | |a [Los Angeles] : |b Getty Publications ; |a [Pasadena, Calif.] : |b In association with the Norton Simon Museum ; |a Seattle [Wash.] : |b Produced by Marquand Books, |c 2011 | |
| 300 | |a 259 p. : |b ill. (some col.) ; |c 30 cm | ||
| 300 | |a 259 pages : |b illustrations (some color) ; |c 30 cm | ||
| 300 | |a p. cm | ||
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| 500 | |a Published in conjunction with an exhibition held at the Norton Simon Museum, Pasadena, Calif., Oct. 1, 2011-Apr. 2, 2012 | ||
| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 504 | |a Includes bibliographical references (p. 242-256) and index | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a The rise of printmaking in southern California : an introduction / Leah Lehmbeck -- Printmaking communities in southern California, 1900-1960 / David Acton -- Print University : Tamarind and its influence on contemporary printmaking pedagogy / Jennifer Anderson -- What's LA got to do with it? : artists as printmakers in Los Angeles, 1960-1980 / Karin Breuer -- Reviving the grand tradition : intaglio printmaking in Los Angeles, 1960 to now / Cynthia Burlingham -- Handfuls of creative people : printmaking and the foundations of Los Angeles art in the 1960s / Damon Willick -- Chronology / Tom Norris -- Works in the exhibition -- Glossary | |
| 520 | |a Published in conjunction with a 2011-2012 exhibition at the Norton Simon Museum in Pasadena California, this volume offers a detailed look at the Los Angeles art world, printmaking in particular, from 1900 through 1960, and from 1960 through now. The essays examine the scene, including the workshops--the Tamarind Lithography Workshop led by June Wayne, Gemini G.E.L., and Cirrus Editions--and artists: locals such as Richard Diebenkorn, Ed Moses, and Ed Ruscha, and artists who traveled to LA to make prints, including Joseph Albers, Louise Nevelson, Claes Oldenburg, and Robert Rauschenberg. The volume is big (10x11.5"), elegantly designed and produced, and extensively illustrated. It includes the catalog, a glossary, and a chronology. Annotation ©2011 Book News, Inc., Portland, OR (booknews.com) | ||
| 520 | |a "This is a lavishly illustrated exploration of the rise of printmaking in Southern California and its legacy on post-war American art. The first goal of the Tamarind Lithography Workshop, founded in Los Angeles in 1960, was to 'create a pool of master artisan-printers in the United States' to revive the medium of fine-art lithography. With essays by both established print scholars and new voices, this lavishly illustrated volume introduces the printmaking pioneers who nurtured an environment suitable for the founding of the country's most significant print shop. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G.E.L. and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art."--Publisher's description | ||
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