A revolution in movement : dancers, painters, and the image of modern Mexico /
"This book illuminates how collaborations between dancers and painters shaped Mexico's postrevolutionary cultural identity, tracing this relationship throughout nearly half a century of developments in Mexican dance from the 1920s to the 1960s"--
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| Format: | Book |
| Language: | English |
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Gainesville :
University Press of Florida,
[2020]
Gainesville, FL : [2020] |
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Table of Contents:
- An Anthropologist Orders a Beer: The Development of Mexican Nationalism
- Mexicanism Russian Style: Roberto Montenegro, Diego Rivera, and the Ballets Russes
- The Precursors of Mexicanism: Anna Pavlova and Tórtola Valencia
- The Philosopher as an Artist Writ Large: JoséVasconcelos, Muralism, and Folk Art
- Dancing a Sandunga in English: Carlos Chavez and Diego Rivera in the United States
- A Question of Technique: Carlos Merida and a Mexican School of Dance
- Competing Modernisms: Anna Sokolow and Waldeen
- Ballets without Ballerinas? JoséClemente Orozco and the Ballet de la Ciudad de México
- The Golden Age of Mexican Modern Dance: Miguel Covarrubias and the Academia de la Danza Mexicana
- Dancing beyond the Cactus Curtain: Mexican Theatrical Dance Comes of Age
- Epilogue: Mexican and Universal
- An Anthropologist Orders a Beer: The Development of Mexican Nationalism
- Mexicanism Russian Style: Roberto Montenegro, Diego Rivera, and the Ballets Russes
- The Precursors of Mexicanism: Anna Pavlova and Tórtola Valencia
- The Philosopher as an Artist Writ Large: JoséVasconcelos, Muralism, and Folk Art
- Dancing a Sandunga in English: Carlos Chavez and Diego Rivera in the United States
- A Question of Technique: Carlos Merida and a Mexican School of Dance
- Competing Modernisms: Anna Sokolow and Waldeen
- Ballets without Ballerinas? JoséClemente Orozco and the Ballet de la Ciudad de México
- The Golden Age of Mexican Modern Dance: Miguel Covarrubias and the Academia de la Danza Mexicana
- Dancing beyond the Cactus Curtain: Mexican Theatrical Dance Comes of Age
- Epilogue: Mexican and Universal