The space between : Australian women writing fictocriticism /
"Fictocriticism, theory-fiction, paracriticism, the paraliterary, mystory, postcriticism: these are names given to writing practices that collapse critical distance, that reflect on the conditions of writing, and that reach across the disciplinary borders traditionally limiting the scope of fic...
| Other Authors: | , |
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| Format: | Book |
| Language: | English |
| Published: |
Nedlands, W.A. :
University of Western Australia Press,
1998
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| Subjects: |
Table of Contents:
- Notes Towards an Introduction / Amanda Nettelbeck
- The Vernix Mask / Brenda Walker
- Hemingway's Typewriter / Robyn Ferrell
- The Gift / Anna Gibbs
- Lemon Pieces (Quelques Morceaux en Forme de Citron) / Noelle Janaczewska
- Waiting to Dance / Susan Ash
- Afterword: Dancing with Roland
- Performing Bodies / Alison Bartlett
- Thaumatropes / Gail Jones
- Uncle Billy, Tina Turner and Me / Meaghan Morris
- Oh Bondage: Up Yours! / Gabrielle O'Ryan
- Dr. Zeo's Artrageous A-Z of Technosex (extracts) / Zoe Sofia
- Carrying the Song: Jane Campion's The Piano / Sue Gillett
- She Goes Berserk in the Middle of a Sentence / Kerryn Goldsworthy
- Unsettled / Deane Fergie
- House and Garden / Lucy Dougan
- sucking on remembrance: memoirs of the vampire and other histories of the body / Anne Brewster
- Telephony or Phoney Telos / Marion Campbell
- Who Dat Say Who Dat When I Say Who Dat? / Cath Kenneally
- Speed Kills, Comma / Linda Marie Walker
- Sailing (and others) / Alison Georgeson
- Look at Me, Ma
- I'm Going to Be a Marginal Writer! / Ania Walwcz
- Poetrics / Lyn McCredden
- The Anxiety of Influence: About Writing about the Writing of Philip K. Dick's The Man in the High Castle and Katharine Burdekin's Swastika Night / Lucy Sussex