Goya /
The career of Francisco Goya (1746-1828) was a great triumph in the history of Spanish art. The son of a peasant craftsman from rural Aragon had, by the age of forty, infiltrated the most exclusive aristocracy in Western Europe, becoming court painter to the Kings of Spain. But behind his glittering...
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| Other Authors: | |
| Format: | Book |
| Language: | English |
| Published: |
London :
Phaidon Press,
[1998], ©1998
London : Phaidon, c1998 London : ©1998 London : 1998 London : 1998 |
| Series: | Art & ideas
Art & ideas |
| Subjects: |
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| 100 | 1 | |a Symmons, Sarah |0 http://viaf.org/viaf/69168942 | |
| 100 | 1 | |a Symmons, Sarah |1 http://viaf.org/viaf/69168942 | |
| 100 | 1 | |a Symmons, Sarah | |
| 245 | 1 | 0 | |a Goya / |c Sarah Symmons |
| 260 | |a London : |b Phaidon Press, |c [1998], ©1998 | ||
| 260 | |a London : |b Phaidon Press, |c c1998 | ||
| 260 | |a London : |b Phaidon Press, |c ©1998 | ||
| 260 | |a London : |b Phaidon, |c 1998 | ||
| 264 | 1 | |a London : |b Phaidon Press, |c 1998 | |
| 300 | |a 351 p. : |b ill. (chiefly col.), facsims., map, ports. ; |c 22 cm | ||
| 300 | |a 351 p. : |b ill. (chiefly col.), map ; |c 22 cm | ||
| 300 | |a 351 p. : |b ill. (some col.) ; |c 22 cm | ||
| 300 | |a 351 p. : |b ill. (some col.), map ; |c 22 cm | ||
| 300 | |a 351 pages : |b illustrations (chiefly color), map ; |c 22 cm | ||
| 300 | |a 351 pages : |b illustrations (some color) ; |c 22 cm | ||
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| 440 | 0 | |a Art & ideas | |
| 490 | 1 | |a Art & ideas | |
| 500 | |a Cover title | ||
| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 504 | |a Includes bibliographical references (p. 344-345) and index | ||
| 504 | |a Includes bibliographical references (pages 344-345) and index | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a An unpromising start: student years in Aragon, Madrid and Rome -- Court life and court art: Bourbon patronage and tapestry cartoons -- A vain and difficult man: artistic inspiration and church censure -- The sublime portraitist: private patrons and their portraits -- Illness, madness and witchcraft: preparing los Caprichos -- The beleaguered monarchy: political uncertainties and artistic triumphs -- Disasters of war: war and the artist as witness -- Aftermath: peace and artistic retreat -- The tribute of posterity: Goya's legacy and the Spanish tradition | |
| 505 | 0 | 0 | |g 1 |t Unpromising Start -- |t Student Years in Aragon, Madrid and Rome -- |g 2. |t Court Life and Court Art -- |t Bourbon Patronage and Tapestry Cartoons -- |g 3. |t Vain and Difficult Man -- |t Artistic Inspiration and Church Censure -- |g 4. |t Sublime Portraitist -- |t Private Patrons and their Portraits -- |g 5. |t Illness, Madness and Witchcraft -- |t Preparing Los Caprichos -- |g 6. |t Beleaguered Monarchy -- |t Political Uncertainties and Artistic Triumphs -- |g 7. |t Disasters of War -- |t War and the Artist as Witness -- |g 8. |t Aftermath -- |t Peace and Artistic Retreat -- |g 9. |t Tribute of Posterity -- |t Goya's Legacy and the Spanish Tradition. |
| 520 | |a The career of Francisco Goya (1746-1828) was a great triumph in the history of Spanish art. The son of a peasant craftsman from rural Aragon had, by the age of forty, infiltrated the most exclusive aristocracy in Western Europe, becoming court painter to the Kings of Spain. But behind his glittering portrayals of the royal family and figures of state was another world of beggars, madmen, convicts, giants and cripples: the inhabitants of the artist's private obsessions. His art expressed the full range of human experience and he became known in his lifetime as 'the philosophical painter'. Goya's mastery of almost every graphic technique, from tapestry cartoons to lithographs, gave him a range of pictorial clarity and expression that was at once profound, diverting and subversive | ||
| 520 | 1 | |a "Francisco Goya (1746-1828), son of a provincial craftsman, had, by the age of forty, infiltrated the most exclusive aristocracy in Western Europe, becoming court painter to the kings of Spain. But behind his glittering portrayals of the royal family and figures of state was another world of beggars, madmen, convicts, giants and cripples: the inhabitants of the artist's personal vision." "Sarah Symmons' fascinating account places Goya within the context of his Spanish heritage, traces the immense influence of his work throughout Europe and considers the continued relevance of his art in the twentieth century. Symmons uses drawings, oil and fresco paintings, original tapestry designs and a variety of prints to convey the full range of Goya's pictorial expression. She draws on the most recent scholarship and on rediscovered works to create a comprehensive portrait of this most complex and enigmatic of artists."--BOOK JACKET | |
| 520 | 1 | |a "Francisco Goya (1746-1828), son of a provincial craftsman, had, by the age of forty, infiltrated the most exclusive aristocracy in Western Europe, becoming court painter to the kings of Spain. But behind his glittering portrayals of the royal family and figures of state was another world of beggars, madmen, convicts, giants and cripples: the inhabitants of the artist's personal vision." "Sarah Symmons' fascinating account places Goya within the context of his Spanish heritage, traces the immense influence of his work throughout Europe and considers the continued relevance of his art in the twentieth century. Symmons uses drawings, oil and fresco paintings, original tapestry designs and a variety of prints to convey the full range of Goya's pictorial expression. She draws on the most recent scholarship and on rediscovered works to create a comprehensive portrait of this most complex and enigmatic of artists."--Jacket | |
| 520 | 8 | |a Sarah Symmons' fascinating new book places Goya within the context of his Spanish heritage, traces the immense influence of his work throughout Europe and considers the continued relevance of his art in the twentieth century. She draws on the most recent scholarship and on rediscovered works to create a comprehensive portrait of his most complex and enigmatic of artists | |
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