But still, it turns : recent photography from the world /
"Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demand...
| Corporate Author: | |
|---|---|
| Other Authors: | |
| Format: | Book |
| Language: | English |
| Published: |
[London] :
MACK : ICP,
[2021]
[London] : MACK, [2021] |
| Edition: | First edition |
| Subjects: |
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| 245 | 0 | 0 | |a But still, it turns : |b recent photography from the world / |c curated by Paul Graham |
| 246 | 3 | 0 | |a Recent photography from the world |
| 250 | |a First edition | ||
| 264 | 1 | |a [London] : |b MACK : |b ICP, |c [2021] | |
| 264 | 1 | |a [London] : |b MACK, |c [2021] | |
| 264 | 4 | |c ©2021 | |
| 300 | |a 262 pages : |b illustrations (chiefly color), portraits ; |c 30 cm | ||
| 300 | |a 262 pages, 10 unnumbered pages : |b color illustrations, portraits ; |c 30 cm | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 500 | |a Catalog of an exhibition held at International Center of Photography, New York, January-May 2021 | ||
| 500 | |a Photographs by Emanuele Brutti & Peirgiorgio Casotti, Richard Choi, Gregory Halpern, Curran Hatleberg, Kristine Potter, RaMell Ross, Vanessa Winship, Stanley Wolukau-Wanambwa and essays by Paul Graham, Rebecca Bengal, RaMell Ross, and Ian Penman | ||
| 504 | |a Includes bibliographic references | ||
| 505 | 0 | |a Belonging particles / Paul Graham -- Emanuele Brutti & Piergiorgio Casotti -- Richard Choi -- Gregory Halpern -- And the clock waits so patiently / Rebecca Bengal -- Curran Hatleberg -- Kristine Potter -- Snapshots from lockdown / Ian Penman -- RaMell Ross -- Vanessa Winship -- Stanley Wolukau-Wanambwa -- Renew the encounter / RaMell Ross -- Illustrated bibliography -- Acknowledgments | |
| 505 | 0 | 0 | |t Belonging particles / |r Paul Graham -- |t Emanuele Brutti & Piergiorgio Casotti -- |t Richard Choi -- |t Gregory Halpern -- |t And the clock waits so patiently / |r Rebecca Bengal -- |t Curran Hatleberg -- |t Kristine Potter -- |t Snapshots from lockdown / |r Ian Penman -- |t RaMell Ross -- |t Vanessa Winship -- |t Stanley Wolukau-Wanambwa -- |t Renew the encounter / |r RaMell Ross -- |g Illustrated bibliography -- |g Acknowledgments |
| 520 | |a "Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell open-ended stories that shift, warp, and branch, attuned unfailingly to life-as-it-is. Included are Gregory Halpern's Californian waking dream ZZYZX; Vanessa Winship's peripatetic exercise in empathy she dances on Jackson; the human assemblages of Curran Hatleberg's Lost Coast; Stanley Wolukau-Wanambwa's rich and multitudinous One Wall a Web; the mortality-tinged America of Richard Choi's What Remains; RaMell Ross' visionary documentary work South County; the collaborative project Index G by Emanuele Bruti & Piergiorgio Casotti; and Kristine Potter's disorientating exploration of the American landscape and masculinity in Manifest. All these works are brought together in harmony and enlightening dissonance, as Graham teases out a new photographic form"--Publisher's description | ||
| 520 | |a "Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell open-ended stories that shift, warp, and branch, attuned unfailingly to life-as-it-is. Included are Gregory Halpern's Californian waking dream ZZYZX; Vanessa Winship's peripatetic exercise in empathy she dances on Jackson; the human assemblages of Curran Hatleberg's Lost Coast; Stanley Wolukau-Wanambwa's rich and multitudinous One Wall a Web; the mortality-tinged America of Richard Choi's What Remains; RaMell Ross' visionary documentary work South County; the collaborative project Index G by Emanuele Bruti & Piergiorgio Casotti; and Kristine Potter's disorientating exploration of the American landscape and masculinity in Manifest. All these works are brought together in harmony and enlightening dissonance, as Graham teases out a new photographic form"--publisher's description | ||
| 520 | 8 | |a With 'But Still, It Turns', Paul Graham curates a subtle thesis and revitalising manifesto for photography. The dynamic and diverse work gathered here advocates an unashamed, but not uncomplicated, dedication to the brilliant tangle of reality. Without being tempted by the artifice of the studio or the restrictive demands of conventional documentary, these artists tell open-ended stories that shift, warp, and branch, attuned unfailingly to life-as-it-is. Included are Gregory Halpern's Californian waking dream ZZYZX; Vanessa Winship's peripatetic exercise in empathy she dances on Jackson; the human assemblages of Curran Hatleberg's Lost Coast; Stanley Wolukau-Wanambwa's rich and multitudinous One Wall a Web; the mortality-tinged America of Richard Choi's What Remains; RaMell Ross' visionary documentary work South County; the collaborative project Index G by Emanuele Bruti & Piergiorgio Casotti; and Kristine Potter's disorientating exploration of the American landscape and masculinity in Manifest. All these works are brought together in harmony and enlightening dissonance, as Graham teases out a new photographic form. Its title is the words allegedly murmured by Galileo after being forced to withdraw his observations of the world; what can be seen here, in Graham's words, is "all the world's infinite consanguinity". Publisher website | |
| 585 | |a Catalog of an exhibition held at International Center of Photography, New York, January-May 2021 | ||
| 648 | 7 | |a 2000-2099 |2 fast | |
| 648 | 7 | |a 21st century |2 fast | |
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| 650 | 0 | |a Video art |x History |y 21st century |v Exhibitions | |
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| 650 | 7 | |a Photography, Artistic |2 fast |0 http://id.worldcat.org/fast/1061964 | |
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| 700 | 1 | |a Graham, Paul, |d 1956- |e curator, |e contributor, |e organizer |1 https://id.oclc.org/worldcat/entity/E39PBJgRWtDtDMfwkWRvwqHpyd |0 http://viaf.org/viaf/27136257 | |
| 700 | 1 | |a Graham, Paul, |d 1956- |e curator, |e contributor, |e organizer | |
| 700 | 1 | |a Graham, Paul, |d 1956- |e organizer |4 http://id.loc.gov/vocabulary/relators/orm | |
| 700 | 1 | |a Graham, Paul, |d 1956- |e organizer | |
| 710 | 2 | |a International Center of Photography |e host institution |0 http://viaf.org/viaf/140366617 | |
| 710 | 2 | |a International Center of Photography, |e host institution |4 http://id.loc.gov/vocabulary/relators/his | |
| 710 | 2 | |a International Center of Photography, |e host institution | |
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