Vivaldi's music for flute and recorder /

"Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they r...

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Bibliographic Details
Main Author: Sardelli, Federico Maria
Corporate Authors: Fondazione "Giorgio Cini.", Istituto italiano Antonio Vivaldi
Format: Book
Language:English
Italian
Published: Aldershot, England ; Burlington, VT : Venezia : Ashgate ; In association with the Istituto Italiano Antonio Vivaldi of the Fondazione Giorgio Cini, c2007
Aldershot, England ; Burlington, VT : Ashgate in association with the Istituto Italiano Antonio Vivaldi/Fondazione "Giorgio Cini", c2007
Aldershot, England ; Burlington, VT : Ashgate in association with the Istituto Italiano Antonio Vivaldi/Fondazione "Giorgio Cini", Venezia, ©2007
Aldershot, Hampshire, England ; Burlington, VT, USA : [2007], ©2007
Aldershot, England ; Burlington, VT : [2007]
Subjects:
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100 1 |a Sardelli, Federico Maria  |0 http://viaf.org/viaf/49397579 
100 1 |a Sardelli, Federico Maria  |1 http://viaf.org/viaf/49397579 
100 1 |a Sardelli, Federico Maria 
240 1 0 |a Musica per flauto di Antonio Vivaldi  |l English 
240 1 0 |a Musica per flauto di Antonio Vivaldi  |l English. 
245 1 0 |a Vivaldi's music for flute and recorder /  |c Federico Maria Sardelli ; translated by Michael Talbot 
260 |a Aldershot, England ;  |a Burlington, VT :  |b Ashgate ;  |a Venezia :  |b In association with the Istituto Italiano Antonio Vivaldi of the Fondazione Giorgio Cini,  |c c2007 
260 |a Aldershot, England ;  |a Burlington, VT :  |b Ashgate in association with the Istituto Italiano Antonio Vivaldi/Fondazione "Giorgio Cini",  |c c2007 
260 |a Aldershot, England ;  |a Burlington, VT :  |b Ashgate in association with the Istituto Italiano Antonio Vivaldi/Fondazione "Giorgio Cini",  |c ©2007 
260 |a Aldershot, Hampshire, England ;  |a Burlington, VT, USA :  |b Ashgate in association with the Istituto Italiano Antonio Vivaldi/Fondazione "Giorgio Cini", Venezia,  |c [2007], ©2007 
264 1 |a Aldershot, England ;  |a Burlington, VT :  |b Ashgate in association with the Istituto Italiano Antonio Vivaldi/Fondazione "Giorgio Cini",  |c [2007] 
264 4 |c ©2007 
300 |a xxii, 336 p. :  |b ill., music ;  |c 24 cm 
300 |a xxii, 336 p., [16] p. of plates :  |b ill., music, ports. ;  |c 24 cm 
300 |a xxii, 336 pages :  |b illustrations, music ;  |c 24 cm 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
500 |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC  |5 CTY 
500 |a "This book was first published as La musica per flauto di Antonio Vivaldi by Federico Sardelli (Leo S. Olschki, Frenze 2001)" 
504 |a Includes bibliographical references (p. 305-314) and indexes 
504 |a Includes bibliographical references (pages 305-314) and indexes 
505 0 |a The recorder and flute in Italy in Vivaldi's time -- Vivaldi's music for recorder and flute 
520 1 |a "Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music." "The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general."--BOOK JACKET 
520 1 |a "Federico Maria Sardelli writes from the perspective of a professional baroque flautist and recorder-player, as well as from that of an experienced and committed scholar, in order to shed light on the bewildering array of sizes and tunings of the recorder and transverse flute families as they relate to Antonio Vivaldi's compositions. Sardelli draws copiously on primary documents to analyse and place in context the capable and surprisingly progressive instrumental technique displayed in Vivaldi's music." "The book includes a discussion of the much-disputed chronology of Vivaldi's works, drawing on both internal and external evidence. Each known piece by him in which the flute or the recorder appears is evaluated fully from historical, biographical, technical and aesthetic standpoints. This book is designed to appeal not only to Vivaldi scholars and lovers of the composer's music, but also to players of the two instruments, students of organology and those with an interest in late baroque music in general."--Jacket 
546 |a Translated from the Italian 
590 |a *ceb 20070614 
596 |a 18 
600 1 0 |a Vivaldi, Antonio,  |d 1678-1741  |v Bibliography 
600 1 0 |a Vivaldi, Antonio,  |d 1678-1741  |x Criticism and interpretation  |0 http://viaf.org/viaf/42027007 
600 1 0 |a Vivaldi, Antonio,  |d 1678-1741  |x Criticism and interpretation  |0 https://id.loc.gov/authorities/subjects/sh99005576 
600 1 0 |a Vivaldi, Antonio,  |d 1678-1741  |x Criticism and interpretation 
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600 1 7 |a Vivaldi, Antonio,  |d 1678-1741  |2 fast 
648 7 |a 1700 - 1799  |2 fast 
648 7 |a 1700-1799  |2 fast 
648 7 |a 18th century  |2 fast 
648 7 |a Geschichte 1700-1800  |2 swd 
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710 2 |a Fondazione "Giorgio Cini."  |? UNAUTHORIZED 
710 2 |a Istituto italiano Antonio Vivaldi 
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