Drawings by Michelangelo, from the British Museum

Michelangelo's drawings offer a unique insight into how the artist worked and thought. They are beautiful artworks in their own right but also provide a crucial link between his work as a sculptor, painter and architect. Michelangelo was extraordinarily famous during his lifetime, so much so th...

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Bibliographic Details
Corporate Authors: British Museum, British Museum Dept. of Prints and Drawings, Gotham Book Mart Collection (University of Pennsylvania), Pierpont Morgan Library
Other Authors: Michelangelo Buonarroti, 1475-1564, Gere, John A
Format: Book
Language:English
Published: New York : Pierpont Morgan Library, [1979], ©1979
New York : c1979
New York : ©1979
New York : c1979
New York : [1979]
Subjects:
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500 |a Catalog written by J. A. Gere and his staff at the British Museum 
500 |a Catalog written by J.A. Gere and his staff at the British Museum 
500 |a Published in conjunction with an exhibition held at the Pierpont Morgan Library, Apr. 24-July 28, 1979 
500 |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC  |5 CTY 
500 |a This Yale-originated record is shareable under Creative Commons license CC0  |5 CTY 
504 |a Bibliography: p. 109-111 
504 |a Bibliography: pages 109-111 
505 0 |a Foreword / by Charles Ryskamp -- Preface / by J. A. Gere -- Catalogue -- Concordances -- Works referred to in abbreviated form 
520 |a Michelangelo's drawings offer a unique insight into how the artist worked and thought. They are beautiful artworks in their own right but also provide a crucial link between his work as a sculptor, painter and architect. Michelangelo was extraordinarily famous during his lifetime, so much so that other artists produced portraits of him and three biographies were written. His artistic achievements set him in a class apart from his contemporaries; after the death of his main rival Raphael in 1520, he was to dominate the Roman art world for more than four decades. His primary focus as an artist was the male body, and his drawings chart his relentless search to find poses that would most eloquently express the emotional and spiritual state of his subjects  |b Most of Michelangelo's drawings were never intended for public display. In fact, he would have been appalled to see them exhibited as he hated showing them to outsiders. He destroyed a large number before he died, probably to prevent them from falling into other hands; he may also have wished to conceal the amount of preparation behind his major works. 
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