Scratches and glitches : observations on preserving and exhibiting cinema in the early 21st century /

A quick succession of changes - some entirely expected, some less so - has drastically reshaped the domain of preserving and exhibiting film heritage in the first two decades of the 21st century. Film production, exhibition, restoration and reflection became predominantly, almost exclusively digital...

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Bibliographic Details
Main Author:	Meden, Jurij (Author, http://id.loc.gov/vocabulary/relators/aut)
Other Authors:	Loebenstein, Michael, 1974- (writer of foreword)
Format:	Book
Language:	English
Published:	Vienna : Synema Gesellschaft für Film und Medien, [2021] Vienna : Synema Gesellschaft für Film und Medien, [2021]
Series:	FilmmuseumSynemaPublikationen FilmmuseumSynemaPublikationen FilmmuseumSynemaPublikationen
Subjects:	2000-2099 21st century Film archives > 21st century Motion picture film collections > 21st century Motion picture film > Preservation > 21st century Archives cinématographiques > 21e siècle Cinémathèques > 21e siècle Films (Pellicules cinématographiques) > Conservation > 21e siècle Film archives Motion picture film collections Motion picture film > Preservation

Table of Contents:

Foreword / Michael Loebenstein
An era of planetary civil war or What is it that we want to conserve and why?, part I
The eye of the beholder or On the shifting nature of the big screen, part I
The myth of the big screen or On the forces propelling transition from kinetoscope across cinematographe To Netflix
The shared parentage of global warming and digital revolution or A parable about film restoration
Dry humping against the grain or Digital film restoration manifesto : a satire
Beyond reasonable doubt or On the nature of wear, tear, ought, and can
Film as an object in time or film fermentation, part I
Film as an object in space or Film fermentation, part II
The myth of Icarus in a digital age or Does matter really matter?
Dreyer iIn Prizren or A tale of privilege, part I
The emergence of gaps or On human curiosity
Can a narrative account ever be adequate? or On the importance of gaps and memories carried in poetry
In praise of forgetting or To know everything is to know nothing
The nitrate picture show or On the subversive potential of the obsolete
Film exhibition vs. film screening or On the authentic cinematographic experience
Godard in Tehran or A tale of privilege, part II
Original vs. facsimile or Faraday-Maxwell's mechanics of image transmission
The subterranean strata of the film economy or In praise of the celestial cinematheque
Courage under fire or On the organic and egalitarian nature of the celestial cinematheque
The next stage of interpassivity or The impotence of the celestial cinematheque
Please leave us be : analog is easy, digital is hard or Please omit flowers : digital is easy, analog is hard
Sen in Kolkata or A tale of privilege, part III
The festival of 35mm film or Remembering Vlado Pintar
The importance of imperfection or A tale of privilege, part IV
The importance of imperfection, post scriptum or The case of Zelimir Zilnik
Re/writing film history, part I or On the shifting nature of values
Re/writing film history, part II or On ideology parading as an aesthetic arbiter
Re/writing film history, part III or On subjective experience parading as canon
The privilege of a film museum, part I or Against "attendance! attendance!"
The privilege of a film museum, part II or A Leninist film ratio
The privilege of a film museum, part III or On preserving global cultural asynchronicity
Digital pandemics or On preserving the audience and the will to will
Psychology of a crisis or On preserving the audience and the will to will, continued
The church of cinema, part I or The questions of farkness, distance, silence, and scale
The church of cinema, part II or A century of priests
The church of cinema, part III or cinema as sanctuary
Copying is not looting or Film museum and decolonization, part I
The fall of the self-evident masterpiece or Film museum and decolonization, part II
The firewalls of a film museum or The celestial cinematheque as Andre Malraux's Museum without Walls
Open the museums! or Film museum as a tomb of the obsolete
How to drive a bargain with a copyright holder or Practical advice for young film programmers
Film museum's living-dead surplus or The secret truth of a film archivist
Stalinism is not Socialism or Capitalism is not freedom
The church of cinema, part IV or Technology as a source of wonder
A list with an agenda or In praise of careless curating, part I
Politics of culture vs. culture of politics or In praise of careless curating, part II
Against the Balkanization of knowledge or Film history in the framework of history
The costs of saving an ocean wave or What is it that we want to conserve and why?, part II
Learning from foolish things or On the shifting nature of the big screen, part II
Farewell to scratches or The last person on Earth to run film dailies
Between knowledge and faith or Curator as Karamazov
^ Can A Narrative Account Ever Be Adequate? Or On The Importance Of Gaps And Memories Carried In Poetry
13 In Praise Of Forgetting Or To Know Everything Is To Know Nothing
14. The Nitrate Picture Show Or On The Subversive Potential Of The Obsolete
15. Film Exhibition Vs. Film Screening Or On The Authentic Cinematographic Experience
16. Godard In Tehran Or A Tale Of Privilege, Part Ii
17. Original Vs. Facsimile Or Faraday-Maxwell's Mechanics Of Image Transmission
18. The Subterranean Strata Of The Film Economy Or In Praise Of The Celestial Cinematheque
19. Courage Under Fire Or On The Organic And Egalitarian Nature Of The Celestial Cinematheque
20. The Next Stage Of Interpassivity Or The Impotence Of The Celestial Cinematheque
21. Please Leave Us Be: Analog Is Easy, Digital Is Hard Or Please Omit Flowers: Digital Is Easy, Analog Is Hard
22. Sen In Kolkata Or A Tale Of Privilege, Part Iii
23.
^ Politics Of Culture Vs. Culture Of Politics Or In Praise Of Careless Curating, Part Ii
47 Against The Balkanization Of Knowledge Or Film History In The Framework Of History
48. The Costs Of Saving An Ocean Wave Or What Is It That We Want To Conserve And Why?, Part Ii
49. Learning From Foolish Things Or On The Shifting Nature Of The Big Screen, Part Ii
50. Farewell To Scratches Or The Last Person On Earth To Run Film Dailies
51. Between Knowledge And Faith Or Curator As Karamazov.
^ The Church Of Cinema, Part I Or The Questions Of Darkness, Distance, Silence, And Scale
35 The Church Of Cinema, Part Ii Or A Century Of Priests
36. The Church Of Cinema, Part Iii Or Cinema As Sanctuary
37. Copying Is Not Looting Or Film Museum And Decolonization, Part 1
38. The Fall Of The Self-Evident Masterpiece Or Film Museum And Decolonization, Part Ii
39. The Firewalls Of A Film Museum Or The Celestial Cinematheque As Andre Malraux's Museum Without Walls
40. Open The Museums! Or Film Museum As A Tomb Of The Obsolete
41. How To Drive A Bargain With A Copyright Holder Or Practical Advice For Young Film Programmers
42. Film Museum's Living-Dead Surplus Or The Secret Truth Of A Film Archivist
43. Stalinism Is Not Socialism Orcapitalism Is Not Freedom
44. The Church Of Cinema, Part Iv Or Technology As A Source Of Wonder
45. A List With An Agenda Or In Praise Of Careless Curating, Part I
46.
^ The Festival Of 35Mm Film Or Remembering Vlado Pintar
24 The Importance Of Imperfection Or A Tale Of Privilege, Part Iv
25. The Importance Of Imperfection, Post Scriptum Or The Case Of Zelimir Zilnik
26. Re/Writing Film History, Part I Or On The Shifting Nature Of Values
27. Re/Writing Film History, Part Ii Or On Ideology Parading As An Aesthetic Arbiter
28. Re/Writing Film History, Part Iii Or On Subjective Experience Parading As Canon
29. The Privilege Of A Film Museum, Part I Or Against "Attendance! Attendance!"
30. The Privilege Of A Film Museum, Part Ii Or A Leninist Film Ratio
31. The Privilege Of A Film Museum, Part Iii Or On Preserving Global Cultural Asynchronicity
32. Digital Pandemics Or On Preserving The Audience And The Will To Will
33. Psychology Of A Crisis Or On Preserving The Audience And The Will To Will, Continued
34.
Machine generated contents note: 1 An Era Of Planetary Civil War Or What Is It That We Want To Conserve And Why?, Part I
2. The Eye Of The Beholder Or On The Shifting Nature Of The Big Screen, Part I
3. The Myth Of The Big Screen Or On The Forces Propelling Transition From Kinetoscope Across Cinematographe To Netflix
4. The Shared Parentage Of Global Warming And Digital Revolution Or A Parable About Film Restoration
5. Dry Humping Against The Grain Or Digital Film Restoration Manifesto: A Satire
6. Beyond Reasonable Doubt Or On The Nature Of Wear, Tear, Ought, And Can
7. Film As An Object In Time Or Film Fermentation, Part I
8. Film As An Object In Space Or Film Fermentation, Part Ii
9. The Myth Of Icarus In A Digital Age Or Does Matter Really Matter?
10. Dreyer In Prizren Or A Tale Of Privilege, Part 1
11. The Emergence Of Gaps Or On Human Curiosity
12. Can A Narrative Account Ever Be Adequate? Or On The Importance Of Gaps And Memories Carried In Poetry
13. In Praise Of Forgetting Or To Know Everything Is To Know Nothing
14. The Nitrate Picture Show Or On The Subversive Potential Of The Obsolete
15. Film Exhibition Vs. Film Screening Or On The Authentic Cinematographic Experience
16. Godard In Tehran Or A Tale Of Privilege, Part Ii
17. Original Vs. Facsimile Or Faraday-Maxwell's Mechanics Of Image Transmission
18. The Subterranean Strata Of The Film Economy Or In Praise Of The Celestial Cinematheque
19. Courage Under Fire Or On The Organic And Egalitarian Nature Of The Celestial Cinematheque
20. The Next Stage Of Interpassivity Or The Impotence Of The Celestial Cinematheque
21. Please Leave Us Be: Analog Is Easy, Digital Is Hard Or Please Omit Flowers: Digital Is Easy, Analog Is Hard
22. Sen In Kolkata Or A Tale Of Privilege, Part Iii
23. The Festival Of 35Mm Film Or Remembering Vlado Pintar
24. The Importance Of Imperfection Or A Tale Of Privilege, Part Iv
25. The Importance Of Imperfection, Post Scriptum Or The Case Of Zelimir Zilnik
26. Re/Writing Film History, Part I Or On The Shifting Nature Of Values
27. Re/Writing Film History, Part Ii Or On Ideology Parading As An Aesthetic Arbiter
28. Re/Writing Film History, Part Iii Or On Subjective Experience Parading As Canon
29. The Privilege Of A Film Museum, Part I Or Against "Attendance! Attendance!"
30. The Privilege Of A Film Museum, Part Ii Or A Leninist Film Ratio
31. The Privilege Of A Film Museum, Part Iii Or On Preserving Global Cultural Asynchronicity
32. Digital Pandemics Or On Preserving The Audience And The Will To Will
33. Psychology Of A Crisis Or On Preserving The Audience And The Will To Will, Continued
34. The Church Of Cinema, Part I Or The Questions Of Darkness, Distance, Silence, And Scale
35. The Church Of Cinema, Part Ii Or A Century Of Priests
36. The Church Of Cinema, Part Iii Or Cinema As Sanctuary
37. Copying Is Not Looting Or Film Museum And Decolonization, Part 1
38. The Fall Of The Self-Evident Masterpiece Or Film Museum And Decolonization, Part Ii
39. The Firewalls Of A Film Museum Or The Celestial Cinematheque As Andre Malraux's Museum Without Walls
40. Open The Museums! Or Film Museum As A Tomb Of The Obsolete
41. How To Drive A Bargain With A Copyright Holder Or Practical Advice For Young Film Programmers
42. Film Museum's Living-Dead Surplus Or The Secret Truth Of A Film Archivist
43. Stalinism Is Not Socialism Orcapitalism Is Not Freedom
44. The Church Of Cinema, Part Iv Or Technology As A Source Of Wonder
45. A List With An Agenda Or In Praise Of Careless Curating, Part I
46. Politics Of Culture Vs. Culture Of Politics Or In Praise Of Careless Curating, Part Ii
47. Against The Balkanization Of Knowledge Or Film History In The Framework Of History
48. The Costs Of Saving An Ocean Wave Or What Is It That We Want To Conserve And Why?, Part Ii
49. Learning From Foolish Things Or On The Shifting Nature Of The Big Screen, Part Ii
50. Farewell To Scratches Or The Last Person On Earth To Run Film Dailies
51. Between Knowledge And Faith Or Curator As Karamazov.
Machine generated contents note: 1 An Era Of Planetary Civil War Or What Is It That We Want To Conserve And Why?, Part I
2. The Eye Of The Beholder Or On The Shifting Nature Of The Big Screen, Part I
3. The Myth Of The Big Screen Or On The Forces Propelling Transition From Kinetoscope Across Cinematographe To Netflix
4. The Shared Parentage Of Global Warming And Digital Revolution Or A Parable About Film Restoration
5. Dry Humping Against The Grain Or Digital Film Restoration Manifesto: A Satire
6. Beyond Reasonable Doubt Or On The Nature Of Wear, Tear, Ought, And Can
7. Film As An Object In Time Or Film Fermentation, Part I
8. Film As An Object In Space Or Film Fermentation, Part Ii
9. The Myth Of Icarus In A Digital Age Or Does Matter Really Matter?
10. Dreyer In Prizren Or A Tale Of Privilege, Part 1
11. The Emergence Of Gaps Or On Human Curiosity
12. Can A Narrative Account Ever Be Adequate? Or On The Importance Of Gaps And Memories Carried In Poetry
13. In Praise Of Forgetting Or To Know Everything Is To Know Nothing
14. The Nitrate Picture Show Or On The Subversive Potential Of The Obsolete
15. Film Exhibition Vs. Film Screening Or On The Authentic Cinematographic Experience
16. Godard In Tehran Or A Tale Of Privilege, Part Ii
17. Original Vs. Facsimile Or Faraday-Maxwell's Mechanics Of Image Transmission
18. The Subterranean Strata Of The Film Economy Or In Praise Of The Celestial Cinematheque
19. Courage Under Fire Or On The Organic And Egalitarian Nature Of The Celestial Cinematheque
20. The Next Stage Of Interpassivity Or The Impotence Of The Celestial Cinematheque
21. Please Leave Us Be: Analog Is Easy, Digital Is Hard Or Please Omit Flowers: Digital Is Easy, Analog Is Hard
22. Sen In Kolkata Or A Tale Of Privilege, Part Iii
23. The Festival Of 35Mm Film Or Remembering Vlado Pintar
24. The Importance Of Imperfection Or A Tale Of Privilege, Part Iv
25. The Importance Of Imperfection, Post Scriptum Or The Case Of Zelimir Zilnik
26. Re/Writing Film History, Part I Or On The Shifting Nature Of Values
27. Re/Writing Film History, Part Ii Or On Ideology Parading As An Aesthetic Arbiter
28. Re/Writing Film History, Part Iii Or On Subjective Experience Parading As Canon
29. The Privilege Of A Film Museum, Part I Or Against "Attendance! Attendance!"
30. The Privilege Of A Film Museum, Part Ii Or A Leninist Film Ratio
31. The Privilege Of A Film Museum, Part Iii Or On Preserving Global Cultural Asynchronicity
32. Digital Pandemics Or On Preserving The Audience And The Will To Will
33. Psychology Of A Crisis Or On Preserving The Audience And The Will To Will, Continued
34. The Church Of Cinema, Part I Or The Questions Of Darkness, Distance, Silence, And Scale
35. The Church Of Cinema, Part Ii Or A Century Of Priests
36. The Church Of Cinema, Part Iii Or Cinema As Sanctuary
37. Copying Is Not Looting Or Film Museum And Decolonization, Part 1
38. The Fall Of The Self-Evident Masterpiece Or Film Museum And Decolonization, Part Ii
39. The Firewalls Of A Film Museum Or The Celestial Cinematheque As Andre Malraux's Museum Without Walls
40. Open The Museums! Or Film Museum As A Tomb Of The Obsolete
41. How To Drive A Bargain With A Copyright Holder Or Practical Advice For Young Film Programmers
42. Film Museum's Living-Dead Surplus Or The Secret Truth Of A Film Archivist
43. Stalinism Is Not Socialism Orcapitalism Is Not Freedom
44. The Church Of Cinema, Part Iv Or Technology As A Source Of Wonder
45. A List With An Agenda Or In Praise Of Careless Curating, Part I
46. Politics Of Culture Vs. Culture Of Politics Or In Praise Of Careless Curating, Part Ii
47. Against The Balkanization Of Knowledge Or Film History In The Framework Of History
48. The Costs Of Saving An Ocean Wave Or What Is It That We Want To Conserve And Why?, Part Ii
49. Learning From Foolish Things Or On The Shifting Nature Of The Big Screen, Part Ii
50. Farewell To Scratches Or The Last Person On Earth To Run Film Dailies
51. Between Knowledge And Faith Or Curator As Karamazov.
Machine generated contents note: 1 An Era Of Planetary Civil War Or What Is It That We Want To Conserve And Why?, Part I
2. The Eye Of The Beholder Or On The Shifting Nature Of The Big Screen, Part I
3. The Myth Of The Big Screen Or On The Forces Propelling Transition From Kinetoscope Across Cinematographe To Netflix
4. The Shared Parentage Of Global Warming And Digital Revolution Or A Parable About Film Restoration
5. Dry Humping Against The Grain Or Digital Film Restoration Manifesto: A Satire
6. Beyond Reasonable Doubt Or On The Nature Of Wear, Tear, Ought, And Can
7. Film As An Object In Time Or Film Fermentation, Part I
8. Film As An Object In Space Or Film Fermentation, Part Ii
9. The Myth Of Icarus In A Digital Age Or Does Matter Really Matter?
10. Dreyer In Prizren Or A Tale Of Privilege, Part 1
11. The Emergence Of Gaps Or On Human Curiosity
12.

Scratches and glitches : observations on preserving and exhibiting cinema in the early 21st century /

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