Firelei Báez : bloodlines /
"Tracing the history of social movements in the United States and the Caribbean, 'Bloodlines' presents a series of new works by Fireli Báez (b. 1981, Santiago de los Caballeros, Dominican Republic) inspired by lineages of black resistance. Best known for her large-scale works on pape...
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Format: | Book |
Language: | English Spanish |
Published: |
Miami, Florida :
Pérez Art Museum Miami,
[2015]
Miami, Florida : Pérez Art Museum Miami, [2015] |
Subjects: |
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100 | 1 | |a Báez, Firelei, |d 1980- |e artist |0 http://viaf.org/viaf/298742547 | |
100 | 1 | |a Báez, Firelei, |d 1980- |e artist |1 http://viaf.org/viaf/298742547 | |
100 | 1 | |a Báez, Firelei, |d 1980- |e artist |4 http://id.loc.gov/vocabulary/relators/art | |
100 | 1 | |a Báez, Firelei, |d 1980- |e artist | |
100 | 1 | |a Báez, Firelei, |d 1980- |e artist | |
245 | 1 | 0 | |a Firelei Báez : |b bloodlines / |c María Elena Oritz, curator and publication manager ; translators, Cora Lichtschein, María Eugenia Hidalgo |
246 | 3 | 0 | |a Bloodlines |
264 | 1 | |a Miami, Florida : |b Pérez Art Museum Miami, |c [2015] | |
264 | 1 | |a Miami, Florida : |b Pérez Art Museum Miami, |c [2015] | |
264 | 4 | |c ©2015 | |
300 | |a 128 pages : |b illustrations (chiefly color) ; |c 26 cm | ||
300 | |a 128 pages : |b illustrations (chiefly color), portraits ; |c 26 cm | ||
336 | |a still image |b sti |2 rdacontent | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a unmediated |b n |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
500 | |a Catalog of an exhibition held at the Pérez Art Museum Miami from October 15, 2015-March 6, 2016 | ||
500 | |a Catalog of an exhibition held at the Pérez Art Museum Miami from October 15, 2015-March, 2016 | ||
500 | |a Catalog of an exhibition held at the Pérez Art Museum Miami from October 15, 2015-March, 2016 | ||
500 | |a In English and Spanish | ||
504 | |a Includes bibliographical references | ||
505 | 0 | 0 | |t A Future Yet to Be Unfolded / |r María Elena Oritz -- |t Firelei Báez: In Conversation with Naima J. Keith -- |t In the Manner of Water or Light / |r Roxane Gay -- |t Plates -- |t LIst of Works -- |t Selected Exhibition History and Bibliography |
505 | 0 | 0 | |t A Future Yet to Be Unfolded / |r María Elena Ortiz -- |t Firelei Báez: In Conversation with Naima J. Keith -- |t In the Manner of Water or Light / |r Roxane Gay -- |t Plates -- |t LIst of Works -- |t Selected Exhibition History and Bibliography |
505 | 0 | 0 | |t A Future Yet to Be Unfolded / |r María Elena Ortiz -- |t Firelei Báez: In Conversation with Naima J. Keith -- |t In the Manner of Water or Light / |r Roxane Gay -- |t Plates -- |t List of Works -- |t Selected Exhibition History and Bibliography |
505 | 0 | 0 | |t A Future Yet to Be Unfolded / |r María Elena Oritz -- |t Firelei Báez: In Conversation with Naima J. Keith -- |t In the Manner of Water or Light / |r Roxane Gay -- |t Plates -- |t LIst of Works -- |t Selected Exhibition History and Bibliography |
505 | 0 | 0 | |t Un futuro aún sin escribir / |r María Elena Oritz -- |t Firelei Báez: En conversación con Naima J. Keith -- |t A la manera del agua o la luz / |r Roxane Gay -- |t Láminas -- |t Lista de obras -- |t Lista selecta de exposiciones y bibliografía |
505 | 0 | 0 | |t Un futuro aún sin escribir / |r María Elena Ortiz -- |t Firelei Báez: En conversación con Naima J. Keith -- |t A la manera del agua o la luz / |r Roxane Gay -- |t Láminas -- |t Lista de obras -- |t Lista selecta de exposiciones y bibliografía |
505 | 0 | 0 | |t Un futuro aún sin escribir / |r María Elena Oritz -- |t Firelei Báez: En conversación con Naima J. Keith -- |t A la manera del agua o la luz / |r Roxane Gay -- |t Láminas -- |t Lista de obras -- |t Lista selecta de exposiciones y bibliografía |
520 | |a "Tracing the history of social movements in the United States and the Caribbean, 'Bloodlines' presents a series of new works by Fireli Báez (b. 1981, Santiago de los Caballeros, Dominican Republic) inspired by lineages of black resistance. Best known for her large-scale works on paper, Báez makes connections that further our understanding of diasporic experiences by interweaving the lives of 18th century black women in Louisiana and the Cuban roots of the Latin American azabache, with symbols used in the U.S. during the tumultuous 1960s. 'Bloodlines' showcases paintings and drawings specifically depicting textiles, hair designs, and body ornaments, linking traditionally loaded symbols with individual human gestures." |c Museum website: http://pamm.org/exhibitions/firelei-b%C3%A1ez | ||
520 | |a "Tracing the history of social movements in the United States and the Caribbean, 'Bloodlines' presents a series of new works by Fireli Báez (b. 1981, Santiago de los Caballeros, Dominican Republic) inspired by lineages of black resistance. Best known for her large-scale works on paper, Báez makes connections that further our understanding of diasporic experiences by interweaving the lives of 18th century black women in Louisiana and the Cuban roots of the Latin American azabache, with symbols used in the U.S. during the tumultuous 1960s. 'Bloodlines' showcases paintings and drawings specifically depicting textiles, hair designs, and body ornaments, linking traditionally loaded symbols with individual human gestures." |c Museum website: http://pamm.org/exhibitions/firelei-b%C3%A1ez | ||
520 | |a "Tracing the history of social movements in the United States and the Caribbean, 'Bloodlines' presents a series of new works by Fireli Báez (b. 1981, Santiago de los Caballeros, Dominican Republic) inspired by lineages of black resistance. Best known for her large-scale works on paper, Báez makes connections that further our understanding of diasporic experiences by interweaving the lives of 18th century black women in Louisiana and the Cuban roots of the Latin American azabache, with symbols used in the U.S. during the tumultuous 1960s. 'Bloodlines' showcases paintings and drawings specifically depicting textiles, hair designs, and body ornaments, linking traditionally loaded symbols with individual human gestures." |c Museum website: http://pamm.org/exhibitions/firelei-b%C3%A1ez | ||
546 | |a In English and Spanish | ||
583 | 1 | |a committed to retain |c 20181001 |d in perpetuity |f ReCAP Shared Collection |5 HUL |8 222188208600003941 | |
600 | 1 | 0 | |a Báez, Firelei, |d 1980- |v Exhibitions |0 http://viaf.org/viaf/298742547 |
600 | 1 | 0 | |a Báez, Firelei, |d 1980- |v Exhibitions |
600 | 1 | 0 | |a Báez, Firelei, |d 1980- |v Exhibitions |
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648 | 7 | |a 21st century |2 fast | |
650 | 0 | |a African American women in art |y 21st century |v Exhibitions | |
650 | 0 | |a Art, African |y 21st century |v Exhibitions | |
650 | 0 | |a Painting, Dominican |y 21st century |v Exhibitions | |
650 | 0 | |a Women, Black, in art |v Exhibitions | |
650 | 7 | |a African American women in art |2 fast | |
650 | 7 | |a Art, African |2 fast | |
650 | 7 | |a Painting, Dominican |2 fast | |
650 | 7 | |a Women, Black, in art |2 fast | |
655 | 7 | |a Catalogues d'exposition |2 rvmgf | |
655 | 7 | |a Exhibition catalogs |2 fast |0 http://id.worldcat.org/fast/1424028 | |
655 | 7 | |a Exhibition catalogs |2 fast | |
655 | 7 | |a Exhibition catalogs |2 lcgft | |
655 | 7 | |a exhibition catalogs |2 aat | |
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700 | 1 | |a Gay, Roxane, |e contributing essayist | |
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700 | 1 | |a Gay, Roxane, |e writer of added text |1 http://viaf.org/viaf/308698170 | |
700 | 1 | |a Gay, Roxane, |e writer of added text | |
700 | 1 | |a Hidalgo, María Eugenia |e translator |0 http://viaf.org/viaf/220832050 | |
700 | 1 | |a Hidalgo, María Eugenia, |e translator |1 http://viaf.org/viaf/220832050 | |
700 | 1 | |a Hidalgo, María Eugenia, |e translator |4 http://id.loc.gov/vocabulary/relators/trl | |
700 | 1 | |a Hidalgo, María Eugenia, |e translator | |
700 | 1 | |a Hidalgo, María Eugenia, |e translator | |
700 | 1 | |a Keith, Naima J |e interviewer. |0 http://viaf.org/viaf/305400215 | |
700 | 1 | |a Keith, Naima J., |e interviewer |1 http://viaf.org/viaf/305400215 | |
700 | 1 | |a Keith, Naima J., |e interviewer |4 http://id.loc.gov/vocabulary/relators/ivr | |
700 | 1 | |a Keith, Naima J., |e interviewer | |
700 | 1 | |a Lichtschein, Cora |e translator |0 http://viaf.org/viaf/111146936835213782474 | |
700 | 1 | |a Lichtschein, Cora, |e translator |1 http://viaf.org/viaf/111146936835213782474 | |
700 | 1 | |a Lichtschein, Cora, |e translator |4 http://id.loc.gov/vocabulary/relators/trl | |
700 | 1 | |a Lichtschein, Cora, |e translator | |
700 | 1 | |a Oritz, María Elena, |e writer of added text | |
700 | 1 | |a Oritz, María Elena, |e writer of added text | |
700 | 1 | |a Ortiz, María Elena, |e curator, |e publication manager, |e contributor |4 http://id.loc.gov/vocabulary/relators/cur |4 http://id.loc.gov/vocabulary/relators/ctb | |
700 | 1 | |a Ortiz, María Elena, |e writer of added text | |
700 | 1 | |a Ortiz, María Elena, |e curator, |e publication manager, |e contributing essayist | |
710 | 2 | |a Pérez Art Museum Miami |e host institution |0 http://viaf.org/viaf/311472176 | |
710 | 2 | |a Pérez Art Museum Miami, |e host institution |1 http://viaf.org/viaf/311472176 | |
710 | 2 | |a Pérez Art Museum Miami, |e host institution |4 http://id.loc.gov/vocabulary/relators/his | |
710 | 2 | |a Pérez Art Museum Miami, |e host institution | |
710 | 2 | |a Pérez Art Museum Miami, |e host institution | |
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