Early Islamic art, 650-1100 /
Early Islamic Art, 650-1100 is the first in a set of four volumes of studies by Oleg Grabar. Between them they bring together more than eighty articles, studies and essays, work spanning half a century. Each volume takes a particular section of the topic, the three subsequent volumes being entitled:...
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| Format: | Book |
| Language: | English French |
| Published: |
Aldershot, England ; Burlington, VT :
Ashgate/Variorum,
[2005], ©2005
Aldershot, England ; Burlington, VT : Ashgate Publishing, c2005 Aldershot, England ; Burlington, VT : ©2005 Aldershot, England ; Burlington, VT : [2005] |
| Series: | Grabar, Oleg Constructing the study of Islamic art ;
v. 1. Grabar, Oleg Constructing the study of Islamic art ; vol. 1. Grabar, Oleg Constructing the study of Islamic art ; vol. 1. Collected studies ; CS809 Collected studies CS809 |
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| 100 | 1 | |a Grabar, Oleg |1 http://viaf.org/viaf/100215326 | |
| 100 | 1 | |a Grabar, Oleg | |
| 245 | 1 | 0 | |a Early Islamic art, 650-1100 / |c Oleg Grabar |
| 260 | |a Aldershot, England ; |a Burlington, VT : |b Ashgate/Variorum, |c [2005], ©2005 | ||
| 260 | |a Aldershot, England ; |a Burlington, VT : |b Ashgate/Variorum, |c c2005 | ||
| 260 | |a Aldershot, England ; |a Burlington, VT : |b Ashgate/Variorum, |c ©2005 | ||
| 264 | 1 | |a Aldershot, England ; |a Burlington, VT : |b Ashgate Publishing, |c [2005] | |
| 264 | 4 | |c ©2005 | |
| 300 | |a xxviii, 326 p. : |b ill. ; |c 26 cm | ||
| 300 | |a xxviii, 326 p. : |b ill., plans ; |c 26 cm | ||
| 300 | |a xxviii, 326 pages : |b illustrations, plans ; |c 26 cm | ||
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| 490 | 1 | |a Collected studies | |
| 490 | 1 | |a Constructing the study of Islamic art ; |v v. 1 | |
| 490 | 1 | |a Constructing the study of Islamic art ; |v vol. 1 | |
| 490 | 1 | |a Variorum collected studies series ; |v CS809 | |
| 500 | |a Collection of previously published articles by Oleg Grabar | ||
| 500 | |a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC |5 CTY | ||
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Part I: Origins and Context: Islamic art and Byzantium -- Islam and iconoclasm -- Upon reading al-Azraqi -- The iconography of Islamic architecture -- Art and architecture and the Quran ---. Part 2: Secular Culture under the Umayyads: Sondages a Khirbat el-Minyeh -- Umayyad 'Palace' and the 'Abbasid Revolution' -- Notes sur les ceremonies Umayyades -- The date and meaning of Mshatta -- La place de Qusayr Amrah dans l'art profane du Haut Moyen Age -- L'art Omeyyade en Syrie, source de l'art islamique -- Umayyad palaces reconsidered -- Part 3 Fatimid Egypt and the Muslim West: Imperial and urban art in Islam: the subject-matter of Fatimid art -- Fatimid art, precursor or culmination -- Notes sur le mihrab de la Grande Mosquee de Cordoue -- Two paradoxes in the Islamic art of the Spanish peninsula -- Qu'est-ce que l'art Fatimide -- Part 4 The Muslim East: Sarvistan: a note on Sasanian places -- Notes on the decorative composition of a bowl from northeastern Iran -- A 10th-century source for architecture | |
| 520 | |a Early Islamic Art, 650-1100 is the first in a set of four volumes of studies by Oleg Grabar. Between them they bring together more than eighty articles, studies and essays, work spanning half a century. Each volume takes a particular section of the topic, the three subsequent volumes being entitled: Islamic Visual Culture, 1100-1800; Islamic Art and Beyond; and Jerusalem. Reflecting the many incidents of a long academic life, they illustrate one scholar's attempt at making order and sense of 1400 years of artistic growth. They deal with architecture, painting, objects, iconography, theories of art, aesthetics and ornament, and they seek to integrate our knowledge of Islamic art with Islamic culture and history as well as with the global concerns of the History of Art. In addition to the articles selected, each volume contains an introduction which describes, often in highly personal ways, the context in which Grabar's scholarship developed and the people who directed and mentored his efforts. The present volume concentrates primarily on documents provided by archaeology understood in its widest sense, and including the study of texts with reference to monuments or to the contexts of these monuments. The articles included represent major contributions to the understanding of the formative centuries of Islamic art, focusing on the Umayyad (661-750) and Fatimid (969-1171) dynasties in Greater Syria and in Egypt, and on the Mediterranean or Iranian antecedents of early Islamic art. Historical, cultural, and religious themes, including the role of court ceremonies, the growth of cities, and the importance of the Qur'an, are introduced to help explain how a new art was formed in the central lands of the Near East and how its language can be retrieved from visual or written sources | ||
| 546 | |a Text in English with some chapters in French | ||
| 590 | |a *lsa 20100406 | ||
| 650 | 0 | |a Art, Islamic | |
| 650 | 0 | |a Islamic art | |
| 650 | 7 | |a Islamic art |2 fast | |
| 776 | 0 | 8 | |i Online version: |a Grabar, Oleg |t Early Islamic art, 650-1100. |d Aldershot, England ; Burlington, VT : Ashgate/Variorum, ©2005 |w (OCoLC)607604778 |
| 776 | 1 | |i Online version: |a Grabar, Oleg |t Early Islamic art, 650-1100. |d Aldershot, England ; Burlington, VT : Ashgate/Variorum, ©2005 |w (OCoLC)607604778. | |
| 800 | 1 | |a Grabar, Oleg |t Constructing the study of Islamic art ; |v v. 1. | |
| 800 | 1 | |a Grabar, Oleg |t Constructing the study of Islamic art ; |v vol. 1. |0 http://viaf.org/viaf/184433596 | |
| 800 | 1 | |a Grabar, Oleg |t Constructing the study of Islamic art ; |v vol. 1. | |
| 830 | 0 | |a Collected studies ; |v CS809 | |
| 830 | 0 | |a Collected studies |v CS809 | |
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