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|a 13005955
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|a HLS
|b eng
|e rda
|c HLS
|d OCLCO
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4 |
|a PQ6325
|b .A1 2016
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| 079 |
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|a (OCoLC)1008648258
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| 082 |
1 |
4 |
|a 862.3
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| 100 |
1 |
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|a Cervantes Saavedra, Miguel de,
|d 1547-1616,
|e author
|
| 240 |
1 |
0 |
|a Plays (2016)
|
| 245 |
1 |
0 |
|a Teatro completo /
|c Miguel de Cervantes ; edición de Florencio Sevilla Arroyo
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| 250 |
|
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|a Primera edición
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| 264 |
|
1 |
|a Barcelona :
|b Penguin Clásicos,
|c 2016
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| 300 |
|
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|a 1,232 pages ;
|c 19 cm
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| 336 |
|
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|a text
|b txt
|2 rdacontent
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| 337 |
|
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|a unmediated
|b n
|2 rdamedia
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| 338 |
|
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|a volume
|b nc
|2 rdacarrier
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| 500 |
|
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|a This WorldCat-derived record is shareable under Open Data Commons ODC-BY, with attribution to OCLC
|5 CTY
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| 504 |
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|a Includes bibliographical references (pages 89-93)
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| 520 |
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|a Disdained during his time, overshadowed by the popularity of Lope de Vega and punished by a public unable to perceive and understand his originality and innovation, Miguel de Cervantes plays are very similar in many aspects to his narrative work. Those characteristics and styles that are distinct to the Cervantine era: the use of dialogue as the main conveyor of the story, funny situations, and whacky characters, are also represented throughout his eight comedies, eight short skits, and two plays
|
| 600 |
1 |
0 |
|a Cervantes Saavedra, Miguel de,
|d 1547-1616
|x Criticism and interpretation
|
| 600 |
1 |
0 |
|a Cervantes Saavedra, Miguel de,
|d 1547-1616
|x Dramatic works
|
| 600 |
1 |
7 |
|a Cervantes Saavedra, Miguel de,
|d 1547-1616
|2 fast
|
| 650 |
|
7 |
|a Criticism and interpretation
|2 fast
|
| 700 |
1 |
|
|a Sevilla Arroyo, Florencio,
|e editor
|
| 999 |
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