Postscript : writing after conceptual art /
One of the most important movements in twenty-first century literature is the emergence of conceptual writing. By knowingly drawing on the histories of art and literature, conceptual writing upended traditional categorical conventions. Postscript is the first collection of writings on the subject of...
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| Format: | Book |
| Language: | English |
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Toronto ; Buffalo : Denver :
University of Toronto Press ; Museum of Contemporary Art,
[2018]
Toronto ; Buffalo ; London : Denver : [2018] |
| Subjects: |
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| 245 | 0 | 0 | |a Postscript : |b writing after conceptual art / |c edited by Andrea Andersson |
| 264 | 1 | |a Toronto ; |a Buffalo : |b University of Toronto Press ; |a Denver : |b Museum of Contemporary Art, |c [2018] | |
| 264 | 1 | |a Toronto ; |a Buffalo ; |a London : |b University of Toronto Press ; |a Denver : |b Museum of Contemporary Art, |c [2018] | |
| 264 | 4 | |c ©2018 | |
| 300 | |a xii, 416 pages : |b illustrations ; |c 27 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 387-407) and index | ||
| 505 | 0 | 0 | |a note: |t "I, too, wondered...": An Introduction to Writing after Conceptual Art / |r Andrea Andersson -- |t Conceptualist Turn: Wittgenstein and the New Writing / |r Marjorie Perloff -- |t From "The Fate of Echo" (Introduction to Against Expression: An Anthology of Conceptual Writing) / |r Craig Dworkin -- |t Was Ist Los / |r Seth Price -- |t Echo 'Hχω / |r Vanessa Place -- |t Sharon Hayes and Most People / |r Rachel Haidu -- |t What Do We Mean by Performance Writing? / |r Caroline Bergvall -- |t Rescuing the Past: Repetition and Re-enactment in Jeremy Deller, Andrea Geyer, and Sharon Hayes / |r Patrick Greaney -- |t From Notes on Conceptualisms / |r Vanessa Place -- |t Melancholy of Conceptualism / |r Michael Golston -- |t Untimely Models / |r Lytle Shaw -- |t Indifferent Voices / |r Paul Elliman -- |t Week of Blogs for the Poetry Foundation / |r Kenneth Goldsmith -- |t Give Them What They Want: Populist Rhetoric in Conceptual Art and Writing / |r Brian Reed -- |t To Teach and Delight -- A Few Precedents for an Art of Instruction / |r Cathleen Chaffee -- |t Semantic Analysis: The Art of Parsing Found Text / |r Sarah Cook -- |t Conceptual Computing and Digital Writing / |r Nick Montfort -- |t Poetry without Poets / |r Darren Wershler -- |t Documents from "True Mirror" / |r Stuart Bailey -- |t From Distribution to Dispersion: Conceptual Writing in the Age of the Internet / |r Gwen Allen -- |t Little Bastard: The Invention and Introduction of a New Word / |r Stuart Bailey -- |t What Was Conceptual Writing? / |r Nick Thurston -- |t Bioinformatic Sublime: The Life of Data and the Data of Life in Conceptual Writing / |r Paul Stephens -- |t Two Dots over a Vowel / |r Christian Bok -- |t Like in Valencia: On Translating Equivalence / |r Monica De La Torre -- |t Russian Lessons for Conceptual Writing / |r Jacob Edmond -- |t Reading as Art / |r Thomas Campbell -- |t Ambivalence of the Grid / |r Liz Kotz -- |t Concrete, The Conceptual, and the Galaxias / |r Antonio Sergio Bessa -- |t N.B. / |r Seth Kim-Cohen -- |t Plagiarism: A Response to Thomas Fink / |r Tan Lin |
| 520 | 8 | |a One of the most important movements in twenty-first century literature is the emergence of conceptual writing. By knowingly drawing on the histories of art and literature, conceptual writing upended traditional categorical conventions. Postscript is the first collection of writings on the subject of conceptual writing by a diverse field of scholars in the realms of art, literature, media, as well as the artists themselves. Using new and old technology, and textual and visual modes including appropriation, transcription, translation, redaction, and repetition, the contributors actively challenge the existing scholarship on conceptual art. Rather than segregating the work of visual artists from that of writers we are shown the ways in which conceptual art is, and remains, a mutually supportive interaction between the arts | |
| 650 | 0 | |a Art and literature | |
| 650 | 0 | |a Conceptual art | |
| 650 | 0 | |a Conceptualism | |
| 650 | 0 | |a Literature, Experimental | |
| 650 | 0 | |a Written communication | |
| 650 | 7 | |a 20.02 philosophy and theory of the art sciences |2 nbc | |
| 650 | 7 | |a Art and literature |2 fast | |
| 650 | 7 | |a Conceptual art |2 fast | |
| 650 | 7 | |a Conceptualism |2 fast | |
| 650 | 7 | |a Literature, Experimental |2 fast | |
| 650 | 7 | |a Written communication |2 fast | |
| 700 | 1 | |a Andersson, Andrea, |e editor |4 http://id.loc.gov/vocabulary/relators/edt | |
| 700 | 1 | |a Andersson, Andrea, |e editor | |
| 710 | 2 | |a Museum of Contemporary Art/Denver, |e issuing body |4 http://id.loc.gov/vocabulary/relators/isb | |
| 710 | 2 | |a Museum of Contemporary Art/Denver, |e issuing body | |
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