13 most wanted men : Andy Warhol and the 1964 World's Fair /

This volume brings expert opinion and first-hand testimony to bear upon the events surrounding the creation and destruction of Andy Warhol's Thirteen Most Wanted Men at the 1964 New York World's Fair. The complex constellation of art, politics and gay life surrounding Warhol's mural a...

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Bibliographic Details
Other Authors: Ballon, Hilary (Contributor), Farzin, Media (Editor), Harris, Larissa (Editor), Warhol, Andy, 1928-1987
Format: Book
Language:English
Published: Queens, N.Y. : Queens Museum of Art, [2014]
Subjects:
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245 0 0 |a 13 most wanted men :  |b Andy Warhol and the 1964 World's Fair /  |c edited by Larrisa Harris and Media Farzin 
246 3 |a Thirteen most wanted men 
246 3 0 |a Andy Warhol and the 1964 World's Fair 
246 3 1 |a Thirteen most wanted men 
264 1 |a Queens, N.Y. :  |b Queens Museum of Art,  |c [2014] 
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300 |a 151 pages :  |b illustrations (some color) ;  |c 23 cm 
300 |a 151 pages :  |b illustrations (some color) ;  |c 24 cm 
300 |a 151 pages :  |b illustrations (some color), portraits ;  |c 23 cm 
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500 |a Catalog of an exhibition held at the Queens Museum, New York, April 27-September 7, 2014 and the Andy Warhol Museum, Pittsburgh, September 27, 2014-January 5, 2015 
500 |a Published on the occasion of the exhibition of the same name held at Queens Museum, New York, 27th April-7th September 2014 and at the Andy Warhol Museum, Pittsburg, 27th September 2014-5th January 2015 
500 |a " ... published on the occasion of 13 Most Wanted Men: Andy Warhol and the 1964 World's Fair, an exhibition developed by the Queens Museum and The Andy Warhol Museum, curated by Larissa Harris, Curator, Queens Museum; and Nicholas Chambers, The Milton Fine Curator of Art, The Andy Warhol Museum; with Anastasia Rygle, Project Assistant Curator; and Timothy Mennel, Curatorial Adviser."--Colophon 
500 |a "...published on the occasion of 13 Most Wanted Men: Andy Warhol and the 1964 World's Fair, an exhibition developed by the Queens Museum and The Andy Warhol Museum, curated by Larissa Harris, Curator, Queens Museum; and Nicholas Chambers, The Milton Fine Curator of Art, The Andy Warhol Museum; with Anastasia Rygle, Project Assistant Curator; and Timothy Mennel, Curatorial Adviser."--Colophon 
504 |a Includes bibliographical references 
505 0 |a "It just had something to do with New York." / Larissa Harris -- "He was a commercial artist. It was the kiss of death." / Larissa Harris and Nicholas Chambers interview John Giorno -- "He once had a two-ton Henry Moore delivered by helicopter." / Timothy Mennel interviews Richard Norton Smith on Nelson Rockefeller -- "It was almost a backhanded compliment." / Anastasia Rygle interviews Gerard Malanga -- "Live and let live" / Dick Elman and seven gay New Yorkers (1962) -- "Imagine the police raiding a film called Blow job and finding a forty-minute silent portrait of a man's face!" / Douglas Crimp and Richard Meyer -- "I want something very ordinary, very common." / Larissa Harris interviews Anthony Grudin -- "I was natural, but Andy, he was purely synthetic." / Eric Shiner interviews Billy Name -- "Me, I just film my life." / Brian L. Frye interviews Jonas Mekas (2007) -- "The very idea that anyone would notice the work they did is ridiculous." / Larissa Harris interviews Mark Wigley on Philip Johnson -- "Who let this bufoon onto my fairgrounds?" / Lori Walters interviews Albert Fisher -- "By '64 he had to be one of the most hated men in town." / Tom Pinkelpearl interviews Hilary Ballon on Robert Moses -- "The perfect opportunity for urban civil rights activists to advance their calls for racial justice" / Timothy Mennel and Larissa Harris interview Felicia Kornbluh and Brian Purnell -- "Everything I did had to do with freedom of expression--freedom of expression in the arts." / Anastasia Rygle interviews Diane di Prima 
505 0 0 |a note:  |t "It just had something to do with New York" /  |r Larissa Harris --  |t "He was a commercial artist. It was the kiss of death" /  |r John Giorno --  |t "He once had a two-ton Henry Moore delivered by helicopter" /  |r Nelson Rockefeller --  |t "It was almost a backhanded compliment" /  |r Gerard Malanga --  |t "Live and let live" /  |r Dick Elman --  |t "Imagine the police raiding a film called Blow Job and finding a forty-minute silent portrait of a man's face!" /  |r Richard Meyer --  |t "I want something very ordinary, very common" /  |r Anthony Grudin --  |t "I was natural, but Andy, he was purely synthetic" /  |r Billy Name --  |t "Me, I just film my life" /  |r Jonas Mekas --  |t "The very idea that anyone would notice the work they did is ridiculous" /  |r Philip Johnson --  |t "Who let this buffoon onto my fairgrounds?" /  |r Albert Fisher --  |t "By '64 he had to be one of the most hated men in town" /  |r Robert Moses --  |t "The perfect opportunity for urban civil rights activists to advance their calls for racial justice" /  |r Brian Purnell --  |t "Everything I did had to do with freedom of expression---freedom of expression in the arts" /  |r Diane di Prima 
505 0 0 |t "It just had something to do with New York." /  |r Larissa Harris --  |t "He was a commercial artist. It was the kiss of death." /  |r Larissa Harris and  |r Nicholas Chambers ; interviewee,  |r John Giorno --  |t "He once had a two-ton Henry Moore delivered by helicopter." /  |r Timothy Mennel ; interviewee,  |r Richard Norton Smith [on Nelson Rockefeller] --  |t "It was almost a backhanded compliment." /  |r Anastasia Rygle ; interviewee,  |r Gerard Malanga --  |t "Live and let live" /  |r Dick Elman and seven gay New Yorkers  |g (1962) --  |t "Imagine the police raiding a film called 'Blow Job' and finding a forty-minute silent portrait of a man's face!" /  |r Douglas Crimp and  |r Richard Meyer --  |t "I want something very ordinary, very common." /  |r Larissa Harris ; interviewee,  |r Anthony Grudin --  |t "I was natural, but Andy, he was purely synthetic." /  |r Eric Shiner ; interviewee,  |r Billy Name --  |t "Me, I just film my life." /  |r Brian L. Frye ; interviewee,  |r Jonas Mekas  |g (2007) --  |t "The very idea that anyone would notice the work they did is ridiculous." /  |r Larissa Harris ; interviewee,  |r Mark Wigley [on Philip Johnson] --  |t "Who let this buffoon onto my fairgrounds?" /  |r Lori Walters ; interviewee,  |r Albert Fisher --  |t "By '64 he had to be one of the most hated men in town." /  |r Tom Pinkelpearl ; interviewee,  |r Hilary Ballon [on Robert Moses] --  |t "The perfect opportunity for urban civil rights activists to advance their calls for racial justice" /  |r Timothy Mennel and  |r Larissa Harris ; interviewees,  |r Felicia Kornbluh and  |r Brian Purnell --  |t "Everything I did had to do with freedom of expression--freedom of expression in the arts." /  |r Anastasia Rygle ; interviewee,  |r Diane di Prima 
520 |a This volume brings expert opinion and first-hand testimony to bear upon the events surrounding the creation and destruction of Andy Warhol's Thirteen Most Wanted Men at the 1964 New York World's Fair. The complex constellation of art, politics and gay life surrounding Warhol's mural and its painting-over comes alive in 13 interviews--with historian Hilary Ballon, critic Douglas Crimp, poet Diane di Prima, 1964 World's Fair head of television Albert Fisher, poet John Giorno, art historian Anthony Grudin, civil rights historian Felicia Kornbluh, former Warhol assistant and poet Gerard Malanga, filmmaker Jonas Mekas, art historian Richard Meyer, former Warhol assistant and photographer Billy Name, Rockefeller biographer Richard Norton Smith and architect and critic Mark Wigley. The interviews are introduced by the show's co-curator Larissa Harris, and accompanied by reproductions of all of the Thirteen Most Wanted Men; photographs of Warhol and the Fair by Factory regulars and photojournalists; and rarely seen archival documents from Warhol's Time Capsules 
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