The Rameau compendium /

This book is about Baroque composer and theorist Jean-Philippe Rameau (1683-1764), covering his life and creative activity. The dictionary and work-list provide the reader with cross-referenced material. The dictionary highlights discoveries and developments and corrects errors and misunderstandings...

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Bibliographic Details
Main Author: Sadler, Graham (Author, http://id.loc.gov/vocabulary/relators/aut)
Format: Book
Language:English
Published: Woodbridge, Suffolk : Boydell Press, 2014
Woodbridge : Boydell & Brewer Ltd 2014.
Woodbridge : The Boydell Press, 2014
Woodbridge, Suffolk, UK : 2014
Series:Boydell composer compendium series
Subjects:
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504 |a Includes bibliographical references (p. [241]-269) 
504 |a Includes bibliographical references 
505 0 |a Introduction -- Biography -- Dictionary -- Works -- Bibliography 
520 8 |a This book is about Baroque composer and theorist Jean-Philippe Rameau (1683-1764), covering his life and creative activity. The dictionary and work-list provide the reader with cross-referenced material. The dictionary highlights discoveries and developments and corrects errors and misunderstandings. It includes entries on institutions, places, individuals, genres, instruments, technical terms, iconography, editions, specific works and publications, and aspects of performance and Rameau's theoretical writings as in his life and music. Many entries illuminate aspects of Rameau's notation and performance practice that can prove puzzling to the non-specialist. The biographical chapter provides factual information and draws attention to significant patterns in Rameau's life and work 
520 8 |a "This book is the most authoritative, up-to-date and readable source of information available on the Baroque composer and theorist Jean-Philippe Rameau (1683-1764), covering every significant area of his life and creative activity. In particular, the dictionary and work-list provide the reader with easy access to a wealth of cross-referenced material. The dictionary highlights recent discoveries and developments and corrects a number of errors and misunderstandings. It includes entries on institutions, places, individuals, genres, instruments, technical terms, iconography, editions, specific works and publications, and aspects of performance and caters for the fact that some users will be at least as interested in Rameau's theoretical writings as in his life and music. Performers too are well served by the range of entries, many of which illuminate aspects of Rameau's notation and performance practice that can prove puzzling to the non-specialist. The biographical chapter not only provides relevant factual information but also draws attention to significant patterns in Rameau's life and work. This book counters the widespread perception of the composer as a dry, irascible, unsociable individual, revealing him in a far more sympathetic light by giving due weight to hitherto little-known information"--Back cover 
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